The Duchess of Malfi
by John Webster
Themes and Colors
Politics and Corruption Theme Icon
Love and Male Authority Theme Icon
Guilt, Death, and Suffering Theme Icon
Religion and Sin Theme Icon
Class Theme Icon
LitCharts assigns a color and icon to each theme in The Duchess of Malfi, which you can use to track the themes throughout the work.
Love and Male Authority Theme Icon
Love and Male Authority Theme Icon

The Duchess of Malfi explores love and male authority in a traditional society in which women are subjected to the wills of men. The Cardinal’s illicit relationship with Julia provides an example of a woman successfully controlled by a man. Julia is depicted according to the stereotype of a fickle woman, while the Cardinal is the constant figure of authority. Webster even uses animal imagery to describe their relationship: the Cardinal is metaphorically a falconer who tames Julia, the falcon. Later, when Julia becomes infatuated with Bosola, she begs for him to tell her to do something so that she can prove that she loves him—clearly, she understands love to be an experience controlled by men.

The Cardinal and Ferdinand also try to exert their male authority over the Duchess. In order to preserve her honor and reputation (supposedly) and to take her fortune, the brothers seek to prevent her from remarrying. They deliver a rehearsed argument, in which they characterize marriage as a prison and forbid her from marrying again. Once she does so behind their backs, they use all of their power to correct the situation and get revenge on her. We should also note that Ferdinand’s initial argument for the Duchess not to marry has undertones of incest.

The Duchess, however, inverts the pattern of male authority over love. Refusing to remain a widow, she covertly goes against her brothers’ order and marries for love. What’s more, she does so outside of the normal confines of courtship in which the man pursues the woman; in part due to her high birth, she is “forced to woo” Antonio. This marriage between Antonio and the Duchess is figured as a true partnership; the Duchess married Antonio purely out of love, in spite of custom and opposition, as he had no special status or nobility.

Throughout the play, the Duchess continues to defy male authority and assert her own agency, for love, for the sake of her children, and for her own self interest. Even facing her own execution, she remains proud and unafraid, and she undercuts the power of the men executing her by ensuring that her body will be cared for by women after her death. Even so, the Duchess’s final, dying thought is that her husband is still alive. This gestures towards the fact that male authority is still powerful, despite the Duchess’s assertions of her own power, for which she is being executed. The Duchess, then, can be seen both as a proud example of a woman exerting her will and a tragic example of society’s refusal to relinquish the power of male authority.

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Love and Male Authority Quotes in The Duchess of Malfi

Below you will find the important quotes in The Duchess of Malfi related to the theme of Love and Male Authority.

Act 1, Scene 2 Quotes

Believe my experience: that realm is never long in quiet where
the ruler is a soldier.

Related Characters: Castruccio (speaker), Ferdinand, Duke of Calabria
Page Number and Citation: 1.2.20-21
Explanation and Analysis:
These short lines are spoken by Castruccio in a scene during which Duke Ferdinand is talking to his courtiers about the merits and pitfalls of going to war. Castruccio says that it’s fitting that a soldier might rise to become a prince, but not that a prince should descend to be a soldier, and that lands with soldiers as rulers are never in peacetime long. In general, the play is much more concerned with the battlefield of love than the field of war, but these lines might be read as a continuation of Webster’s criticism of certain practices in government Dolorem et quae. Exercitationem non aut. Eveniet dolor n

Some such flashes superficially hang on him, for form; but observe his inward character: he is a melancholy churchman. The spring in his face is nothing but the engendering of toads. Where he is jealous of any man he lays worse plots for them than ever was imposed on Hercules, for he strews in his way flatterers, panders, intelligencers, atheists, and a thousand such political monsters.

Related Characters: Antonio Bologna (speaker), The Cardinal, Delio
Page Number and Citation: 1.2.70-76
Explanation and Analysis:
While Ferdinand and his courtiers continue discussing war and horses (presumably), Antonio steps aside to tell Delio about the Cardinal. Delio notes to Antonio that the Cardinal seems like a “brave fellow,” but in the excerpt Antonio assures Delio that any appearances are merely superficial. The Cardinal, he says, tries to appear good, but inwardly, he is melancholy, jealous, scheming, conniving, and despicable. He surrounds himself with flatterers, panderers, spies, and, even though he is a Cardinal, he consorts with atheists and other political monsters. The Cardinal, then, is the exact opposite of the idealized court in France. From the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

The Duke there? A most perverse and turbulent nature;
What appears in him mirth is merely outside.
If he laugh heartily, it is to laugh
All honesty out of fashion.

He speaks with others' tongues, and hears men's suits
With others' ears; will seem to sleep o’th' bench
Only to entrap offenders in their answers;
Dooms men to death by information,
Rewards by hearsay.

Related Characters: Antonio Bologna (speaker), Ferdinand, Duke of Calabria, Delio
Page Number and Citation: 1.2.82-89
Explanation and Analysis:
After Antonio explains that, despite his appearances, the Cardinal is despicable, Delio asks Antonio to tell him about Duke Ferdinand. Antonio responds that, like his brother (the Cardinal), the happiness and goodness that appear in Duke Ferdinand are merely a false exterior or façade. Inside, Ferdinand has a “perverse and turbulent nature.” Like his brother, he is extremely corrupt. He uses secret messengers and spies, entraps whomever possible, gives death sentences based on knowledge gained from spies, and deals in rumors. Delio goes on to compare Ferdinand to a spider; he uses the law as his home and his weapon Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volup

Act 1, Scene 3 Quotes

You live in a rank pasture here, i'th' court.
There is a kind of honey-dew that's deadly:
'Twill poison your fame. Look to't. Be not cunning,
For they whose faces do belie their hearts
Are witches ere they arrive at twenty years,
Ay, and give the devil suck.

Your darkest actions - nay, your privat'st thoughts –
Will come to light.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi
Related Symbols: Poison
Page Number and Citation: 1.3.218-228
Explanation and Analysis:
Ferdinand speaks these lines to the Duchess while he and the Cardinal are convincing (or ordering) the Duchess not to remarry. He says that the court is like a “rank pasture’ where she lives, and that there is a kind of fruit that will poison her fame, meaning her reputation. Rank here suggests high social status, and the word hints at its other meaning (disgusting), which he will use later to describe the Duchess. He instructs her to be careful, since people whose faces try to conceal false hearts become contorted and turn to witches, who then “give the devil Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

The misery of us that are born great!
We are forced to woo because none dare woo us;
And, as a tyrant doubles with his words,
And fearfully equivocates, so we
Are forced to express our violent passions
In riddles and in dreams, and leave the path
Of simple virtue, which was never made
To seem the thing it is not.

Make not your heart so dead a piece of flesh
To fear more than to love me. Sir, be confident.
What is't distracts you? This is flesh and blood, sir;
'Tis not the figure, cut in alabaster,
Kneels at my husband's tomb.

Related Characters: The Duchess of Malfi (speaker), Antonio Bologna
Related Symbols: Blood
Page Number and Citation: 1.3.350-364
Explanation and Analysis:
Immediately after being forbidden from remarrying, the Duchess begins subtly flirting with Antonio. The two discuss her will and the institution of marriage, and slowly it becomes clear that she is wooing him covertly with puns and double meanings. Here, the Duchess expresses her frustration that, since she is noble born, she is forced to woo Antonio, because he doesn’t dare to woo her. Having to invert the traditional courtship roles, she is forced to mask her words, equivocate, and express herself in riddles as opposed to direct proclamations of love. This frustrates the Duchess, so she abandons it, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

Act 2, Scene 4 Quotes

You may thank me, lady.
I have taken you off your melancholy perch,
Bore you upon my fist, and showed you game,
And let you fly at it. I pray thee, kiss me.
When thou wast with thy husband, thou wast watched
Like a tame elephant - still you are to thank me.

Related Characters: The Cardinal (speaker), Julia
Page Number and Citation: 2.4.27-32
Explanation and Analysis:
The Cardinal says these lines to Julia, his mistress and Castruccio’s wife, in the privacy of his palace in Rome. If the Duchess inverts the traditional courtship dynamic between men and women, here the Cardinal reinforces it, playing on the common Renaissance trope in which the male is the tamer and the woman is a wild animal. Here the Cardinal figures Julia as a falcon and himself as a falconer (falcon tamer). In calling her a tame elephant he continues in this trope and also suggests that she may have been sexually frustrated before they started their affair. The Cardinal’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam elige

Act 2, Scene 5 Quotes

I would have their bodies
Burnt in a coal-pit, with the ventage stopped,
That their curs'd smoke might not ascend to heaven;
Or dip the sheets they lie in in pitch or sulphur,
Wrap them in't, and then light them like a match;
Or else to boil their bastard to a cullis,
And give't his lecherous father to renew
The sin of his back.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi, The Cardinal
Page Number and Citation: 2.5.67-74
Explanation and Analysis:
Ferdinand speaks these horrible lines to his brother the Cardinal after finding out that the Duchess has had an illegitimate child. His desire to control her and to preserve his own honor and bloodline is so extreme that he is thrown into utter outrage, even to the point where the Cardinal continuously must ask him to calm down. Here, Ferdinand offers a terrifying image of what he would to the Duchess for revenge: burn her and her lover in a coal pit with closed vents to prevent her from going to heaven, or dip their bed sheets in sulfur, wrap Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciun

Act 3, Scene 1 Quotes

Do you think that herbs or charms
Can force the will? Some trials have been made
In this foolish practice, but the ingredients
Were lenitive poisons, such as are of force
To make the patient mad; and straight the witch
Swears, by equivocation, they are in love.
The witchcraft lies in her rank blood.

Related Characters: Ferdinand, Duke of Calabria (speaker), Daneil de Bosola, The Duchess of Malfi
Related Symbols: Blood
Page Number and Citation: 3.1.72-78
Explanation and Analysis:
Ferdinand speaks these lines to Bosola after Bosola wonders if someone has used a love potion on the Duchess. Contrasting Bosola, Ferdinand does not believe in love potions. He says that some trials have been done, but in most cases it was discovered that the ingredients were poisons to drive someone into insanity and get them to think or mistakenly admit that they were in love. Ferdinand claims, on the other hand, that the Duchess doesn’t need any witchcraft other than her rank blood. Rank here contains the dual meaning of status and disgusting, though the status implication is secondary Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusand

Act 3, Scene 2 Quotes

Do I not dream? Can this ambitious age
Have so much goodness in't as to prefer
A man merely for worth, without these shadows
Of wealth and painted honours? Possible?

Related Characters: Daneil de Bosola (speaker), Antonio Bologna, The Duchess of Malfi
Page Number and Citation: 3.2.276-279
Explanation and Analysis:
This excerpt comes after Ferdinand has confronted the Duchess for having children, and the Duchess has pretended to fire Antonio to give him time to flee. The Duchess privately asks Bosola what he thinks of Antonio’s fabricated crime, and Bosola defends Antonio so passionately that the Duchess confides in him the truth: Antonio is her husband and the father of her children. Upon hearing this news, Bosola is shocked, and he responds with the lines quoted. He wonders if he is dreaming, because in the “ambitious age” they are in, it’s unheard of that a Duchess would marry below her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

Act 3, Scene 5 Quotes

Thou dost blanch mischief;
Wouldst make it white. See, see, like to calm weather
At sea, before a tempest, false hearts speak fair
To those they intend most mischief.

Related Characters: The Duchess of Malfi (speaker), Ferdinand, Duke of Calabria, Daneil de Bosola, Antonio Bologna, The Cardinal
Page Number and Citation: 3.5.23-26
Explanation and Analysis:
The Duchess says this to Bosola after she and her family have been formally banished by the Cardinal. Bosola has come bearing kind letters from her brothers that invite Antonio to come reconcile with them. But the Duchess rightly recognizes that Bosola is essentially whitewashing the true content of the letters. Like the calm before a storm, she says, false hearts speak kindly to those they are about to harm. The Duchess knows this to be true, since she employed a similar tactic, using a feigned pilgrimage as an excuse to flee. We can also note the exquisite poetry of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia

Thou art happy that thou hast not understanding
To know thy misery; for all our wit
And reading brings us to a truer sense
Of sorrow.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola, Antonio Bologna, Children
Page Number and Citation: 3.5.66-69
Explanation and Analysis:
The Duchess speaks these lines to her son after she and Antonio have decided to split up the children in the hopes that more of them will survive. Essentially, she says that ignorance is bliss. The boy is happy because he does not have the ability to understand the misery he is undergoing; intelligence and reading only lead to better understanding of sadness. These lines echo a sentiment expressed by Bosola earlier, that wisdom is like a disease that only leads to folly. The lines have a bleak outlook for scholarship, since they suggest that the more one studies the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita

Act 4, Scene 1 Quotes

That's the greatest torture souls feel in hell:
In hell that they must live, and cannot die.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola, Antonio Bologna, Children, Ferdinand, Duke of Calabria, The Cardinal
Page Number and Citation: 4.1.70-71
Explanation and Analysis:
The Duchess offers these dejected lines after Ferdinand has forced her to kiss a dead man’s hand and has shown her silhouettes meant to convince her that Antonio and her children are dead. Upon learning that her family is dead, the Duchess loses all will to live, and she asks Bosola to kille her. Bosola denies her and says she must live, to which she responds that it’s the greatest torture felt in hell: souls in hell have to live and cannot die. Living without her love and her children makes existence pain and suffering. Simply being alive in this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Ac

I account this world a tedious theatre,
For I do play a part in't 'gainst my will.

Related Characters: The Duchess of Malfi (speaker), The Cardinal, Children, Antonio Bologna, Ferdinand, Duke of Calabria
Page Number and Citation: 4.1.83-84
Explanation and Analysis:
The Duchess speaks this meta-theatrical line in another expression of her frustration that she cannot die. Since she believes Antonio and her children are dead, she no longer wants to live. As stated above, existence is torturous to the Duchess, which is exactly what Ferdinand intends. Here the Duchess expresses this frustration by comparing the world to a “tedious theatre” in which she is forced to play a part against her will. Webster makes uncanny, meta-theatrical references this one throughout the play, especially in situations that the characters seem to recognize as excessively tragic, theatrical, or dramatic. In a way, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia ape

Damn her! That body of hers,
While that my blood ran pure in't, was more worth
Than that which thou wouldst comfort, called a soul.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi, Daneil de Bosola
Related Symbols: Blood
Page Number and Citation: 4.1.120-122
Explanation and Analysis:
Ferdinand knows that his torture of the Duchess is working, as she is convinced that her family is dead and it agonizes her. Bosola tries to convince Ferdinand to stop torturing her now, but Ferdinand is still furious. He cries out for her to be damned, and he says that, while his blood ran pure through her, her body was worth more than her soul. He suggests, too, that Bosola is attempting to comfort her by ending the torture, which is something she does not deserve. First of all, such an image reinforces the notion that Ferdinand did not want Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

Act 4, Scene 2 Quotes

BOSOLA: Doth not death fright you?

DUCHESS: Who would be afraid on't,
Knowing to meet such excellent company
In th'other world?

I know death hath ten thousand several doors
For men to take their exits; and 'tis found
They go on such strange, geometrical hinges,
You may open them both ways.
…Tell my brothers
That I perceive death, now I am well awake,
Best gift is they can give or I can take.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola (speaker), Ferdinand, Duke of Calabria, Children
Page Number and Citation: 4.2.200-214
Explanation and Analysis:
This exchange happens in the moments before the Duchess’s death. In the face of her executioner, she remains proud, composed, and unafraid, saying that she doesn’t fear death because she knows she’ll meet excellent company in the other world (meaning heaven). Though previously she dismissed religion as foolish superstition, in the face of death the Duchess turns to religion for comfort. She continues that she is not afraid because there are ten thousand ways to die, and some doors to death so strange that they can be opened both ways. The implication of this statement is that death can come Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possim

Only, I must confess, I had a hope,
Had she continued widow, to have gained
An infinite mass of treasure by her death,
And that was the main cause: her marriage -
That drew a stream of gall quite through my heart.
For thee - as we observe in tragedies
That a good actor many times is cursed
For playing a villain's part - I hate thee for't,
And, for my sake, say thou hast done much ill well.

Related Characters: Ferdinand, Duke of Calabria (speaker), Daneil de Bosola, The Duchess of Malfi
Page Number and Citation: 4.2.270-278
Explanation and Analysis:
Ferdinand speaks these lines over the Duchess’s dead body, expressing his instant remorse for having her killed. He confesses finally that the reason he wanted her not to remarry was that he hoped to secure his own inheritance of her large fortune. Of course, the subtext of much of his speech throughout the play implies that another reason he wanted the Duchess dead was his own conflict over his incestuous desire for her, though he still does not confess this outright. He continues in another meta-theatrical moment, saying to Bosola that, as in tragedies, sometimes a good actor is cursed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

Act 5, Scene 1 Quotes

It may be that the sudden apprehension
Of danger - for I'll go in mine own shape –
When he shall see it fraught with love and duty,
May draw the poison out of him, and work
A friendly reconcilement. If it fail,
Yet it shall rid me of this infamous calling;
For better fall once than be ever falling.

Related Characters: Antonio Bologna (speaker), The Duchess of Malfi, Delio, The Cardinal
Related Symbols: Poison
Page Number and Citation: 5.1.67-73
Explanation and Analysis:
Antonio speaks these lines to Delio outside of the Cardinal’s palace. He plans to confront the Cardinal in a last ditch attempt to reconcile. He says that he hopes that sudden fear in the Cardinal (since Antonio will be appearing without disguise) will draw the poison of hate out of the Cardinal and help bring about a reconciliation between Antonio and the Cardinal. Antonio is especially hopeful that the Cardinal be sympathetic to Antonio once he sees that Antonio is driven by love and duty. Here hatred is compared to a poison, which, once removed from the body, will leave Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Act 5, Scene 4 Quotes

BOSOLA: O good Antonio,
I'll whisper one thing in thy dying ear
Shall make thy heart break quickly: thy fair Duchess
And two sweet children -

ANTONIO: Their very names
Kindle a little life in me.

BOSOLA: - are murdered!

ANTONIO: Some men have wished to die
At the hearing of sad tidings. I am glad
That I shall do't in sadness. I would not now
Wish my wounds balmed nor healed, for I have no use
To put my life to.

Related Characters: Antonio Bologna (speaker), Daneil de Bosola (speaker), The Duchess of Malfi
Page Number and Citation: 5.4.57-66
Explanation and Analysis:
This exchange is possibly the most perfectly tragic in the entire play. Bosola, who intends to save Antonio, has just accidentally stabbed Antonio in the dark, mistaking him for the Cardinal. This is especially tragic given Bosola’s change of heart, which meant that he would gladly have died to save Antonio. As Antonio is dying, Bosola says he wants to whisper something into his dying ear. Bosola begins to speak of the Duchess and the two children, but Antonio cuts him off to say that hearing their names kindles life in him. The moment barely lasts long enough for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam co

Act 5, Scene 5 Quotes

My sister! Oh, my sister! There's the cause on't.
Whether we fall by ambition, blood or lust,
Like diamonds we are cut with our own dust.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi
Page Number and Citation: 5.5.73-75
Explanation and Analysis:
These are Ferdinand’s final lines, spoken after he has stabbed Bosola and his brother, whom he mistook for the devil. First, Ferdinand calls out to his sister; this is fitting given that he has been driven insane by guilt over his role in her death, and also because during her life he was utterly controlling and harbored secret incestuous desires for her. He then concludes the sentiment that has been building throughout the play, one that he suspected when he first learned that the Duchess disobeyed him. Whether we fall because of our ambition, our blood (which here means both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi