The Duchess of Malfi
by John Webster

Politics and Corruption Theme Analysis

Themes and Colors
Politics and Corruption Theme Icon
Love and Male Authority Theme Icon
Guilt, Death, and Suffering Theme Icon
Religion and Sin Theme Icon
Class Theme Icon
LitCharts assigns a color and icon to each theme in The Duchess of Malfi, which you can use to track the themes throughout the work.
Politics and Corruption Theme Icon
Politics and Corruption Theme Icon

The Duchess of Malfi takes place in Roman Catholic Italy, which English Renaissance audiences would have associated with the stereotype of “sophisticated corruption.” The play begins with Antonio’s speech about his recent return from the French court; he praises France and offers the play’s notion of an ideal royal state. The French king, Antonio reports, in order to bring everything to order, has rid himself of all flatterers and “infamous persons” because he rightly understands that a court “is like a common fountain.” Usually goodness flows, but if it is poisoned near the head (i.e., the monarch), death spreads throughout the entire fountain (the entire nation). The French court is especially good because there is a council unafraid to inform the King of the “corruption of the times.” Some advisors tell rulers what to do, but in France the advisors tell the King what he should foresee. It’s ideal that France is filled with nobles willing to speak against corruption and give genuine advice to rulers.

Webster juxtaposes the ideal court of France with the political situation in Italy, whose corruption is exemplified by Duke Ferdinand and his brother the Cardinal, who deal illicitly throughout the play. Both men make efforts to appear temperate, courtly, and honorable, but inside, they are both evil and corrupt. The Cardinal, for example, lays elaborate plots against anyone he is jealous of or doesn’t like, and he surrounds himself with flatterers, spies, and “a thousand such political monsters.” He is so corrupt as to have attempted to bribe his way into becoming Pope. Likewise, Duke Ferdinand is perverse and corrupt. He is duplicitous and relies heavily on spies. Delio even describes the Duke as a spider and the law as his web: he uses the laws of the country as a means of security for himself and as a weapon against his enemies. It is through spies that the two find out about the Duchess’ marriage and children, and through continual abuse of power that they break her family apart and ultimately slaughter them.

The Duchess of Malfi makes an argument about ideal government and the dangers (both physical and spiritual) of corruption. Though there are momentary gains and successes achieved by the brothers’ plans, ultimately the play ends with the slaughter of nearly everyone involved in their web of influence. This ending suggests that corruption yields disastrous results; even beyond death, corruption can lead to damnation. This point is made explicitly when Bosola tells Ferdinand that taking a higher position in exchange for spying on the Duchess would make him a traitor and Ferdinand a corruptor, thereby leading both of them to hell.

Finally, the death of all of the play’s major figures of political power leaves a vacuum at the end of the play; there is no new leader to take over. To show this, the play’s final lines, often reserved for the highest-ranking character, are spoken by a mere courier. Ferdinand and the Cardinal’s positions aren’t filled, but are merely left vacant at the play’s end. Thus political corruption and duplicitous behavior has the potential to lead to dire personal and religious consequences, and possibly to the collapse of government itself.

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Politics and Corruption Quotes in The Duchess of Malfi

Below you will find the important quotes in The Duchess of Malfi related to the theme of Politics and Corruption.

Act 1, Scene 1 Quotes

A prince's court
Is like a common fountain, whence should flow
Pure silver drops in general; but if't chance
Some cursed example poison't near the head,
Death and diseases through the whole land spread.
And what is't makes this blessèd government
But a most provident council, who dare freely
Inform him the corruption of the times.

Related Characters: Antonio Bologna (speaker), Delio
Related Symbols: Poison, Disease
Page Number and Citation: 1.1.11-18
Explanation and Analysis:
Antonio speaks these lines at the beginning of the play while describing to Delio his recent trip to the French court. His praise of the properly functioning French court sets up an implicit comparison with the Italian court, which is known to be corrupt. He compares a court to a fountain, saying that goodness should flow throughout a country. However, the structure of a government is such that if it is poisoned near the head (the monarch), then disease, death, and despair will spread throughout the land. This poisoning near the head could come from someone whispering in the ear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

With all your divinity do but direct me the way to it. I have
known many travel far for it, and yet return as arrant knaves
as they went forth, because they carried themselves always

along with them.

Related Characters: Daneil de Bosola (speaker), The Cardinal
Page Number and Citation: 1.1.40-43
Explanation and Analysis:
Bosola says this to the Cardinal after the Cardinal ignores and dismisses him. The Cardinal tells Bosola to go become honest, and Bosola responds with this remark, saying that he wishes the Cardinal, with all his divinity, would show him how to properly become honest. Given what we learn about the Cardinal’s despicable character, this appeal to his divinity might be read as sarcastic. Bosola goes on to say that he has seen many that went on long journeys seeking to become honest, but they always come back just as bad as when they left, since throughout the entire trip Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus ea

Some fellows, they say, are possessed with the devil, but this great fellow were able to possess the greatest devil and make him worse.

Related Characters: Daneil de Bosola (speaker), The Cardinal, Delio, Antonio Bologna
Page Number and Citation: 1.1.44-46
Explanation and Analysis:
The Cardinal ignores Bosola and then leaves, so Bosola says this line to Antonio and Delio. He says that while some men are possessed by the devil, the Cardinal is so foul that he could possess the greatest devil and make that devil worse. Here Bosola hints at the Cardinal’s evil nature hidden beneath the appearance of being a holy figure. Later in the play, Bosola will say that spies are little devils, so by accusing the Cardinal of possessing devils, he alludes to the Cardinal being corrupt and having many spies. That the Cardinal can make the devils worse Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam conseq

Act 1, Scene 2 Quotes

Believe my experience: that realm is never long in quiet where
the ruler is a soldier.

Related Characters: Castruccio (speaker), Ferdinand, Duke of Calabria
Page Number and Citation: 1.2.20-21
Explanation and Analysis:
These short lines are spoken by Castruccio in a scene during which Duke Ferdinand is talking to his courtiers about the merits and pitfalls of going to war. Castruccio says that it’s fitting that a soldier might rise to become a prince, but not that a prince should descend to be a soldier, and that lands with soldiers as rulers are never in peacetime long. In general, the play is much more concerned with the battlefield of love than the field of war, but these lines might be read as a continuation of Webster’s criticism of certain practices in government Dolorem et quae. Exercitationem non aut. Eveniet dolor n

Some such flashes superficially hang on him, for form; but observe his inward character: he is a melancholy churchman. The spring in his face is nothing but the engendering of toads. Where he is jealous of any man he lays worse plots for them than ever was imposed on Hercules, for he strews in his way flatterers, panders, intelligencers, atheists, and a thousand such political monsters.

Related Characters: Antonio Bologna (speaker), The Cardinal, Delio
Page Number and Citation: 1.2.70-76
Explanation and Analysis:
While Ferdinand and his courtiers continue discussing war and horses (presumably), Antonio steps aside to tell Delio about the Cardinal. Delio notes to Antonio that the Cardinal seems like a “brave fellow,” but in the excerpt Antonio assures Delio that any appearances are merely superficial. The Cardinal, he says, tries to appear good, but inwardly, he is melancholy, jealous, scheming, conniving, and despicable. He surrounds himself with flatterers, panderers, spies, and, even though he is a Cardinal, he consorts with atheists and other political monsters. The Cardinal, then, is the exact opposite of the idealized court in France. From the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

The Duke there? A most perverse and turbulent nature;
What appears in him mirth is merely outside.
If he laugh heartily, it is to laugh
All honesty out of fashion.

He speaks with others' tongues, and hears men's suits
With others' ears; will seem to sleep o’th' bench
Only to entrap offenders in their answers;
Dooms men to death by information,
Rewards by hearsay.

Related Characters: Antonio Bologna (speaker), Ferdinand, Duke of Calabria, Delio
Page Number and Citation: 1.2.82-89
Explanation and Analysis:
After Antonio explains that, despite his appearances, the Cardinal is despicable, Delio asks Antonio to tell him about Duke Ferdinand. Antonio responds that, like his brother (the Cardinal), the happiness and goodness that appear in Duke Ferdinand are merely a false exterior or façade. Inside, Ferdinand has a “perverse and turbulent nature.” Like his brother, he is extremely corrupt. He uses secret messengers and spies, entraps whomever possible, gives death sentences based on knowledge gained from spies, and deals in rumors. Delio goes on to compare Ferdinand to a spider; he uses the law as his home and his weapon Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volup

Act 2, Scene 4 Quotes

You may thank me, lady.
I have taken you off your melancholy perch,
Bore you upon my fist, and showed you game,
And let you fly at it. I pray thee, kiss me.
When thou wast with thy husband, thou wast watched
Like a tame elephant - still you are to thank me.

Related Characters: The Cardinal (speaker), Julia
Page Number and Citation: 2.4.27-32
Explanation and Analysis:
The Cardinal says these lines to Julia, his mistress and Castruccio’s wife, in the privacy of his palace in Rome. If the Duchess inverts the traditional courtship dynamic between men and women, here the Cardinal reinforces it, playing on the common Renaissance trope in which the male is the tamer and the woman is a wild animal. Here the Cardinal figures Julia as a falcon and himself as a falconer (falcon tamer). In calling her a tame elephant he continues in this trope and also suggests that she may have been sexually frustrated before they started their affair. The Cardinal’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam elige

Act 2, Scene 5 Quotes

I would have their bodies
Burnt in a coal-pit, with the ventage stopped,
That their curs'd smoke might not ascend to heaven;
Or dip the sheets they lie in in pitch or sulphur,
Wrap them in't, and then light them like a match;
Or else to boil their bastard to a cullis,
And give't his lecherous father to renew
The sin of his back.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi, The Cardinal
Page Number and Citation: 2.5.67-74
Explanation and Analysis:
Ferdinand speaks these horrible lines to his brother the Cardinal after finding out that the Duchess has had an illegitimate child. His desire to control her and to preserve his own honor and bloodline is so extreme that he is thrown into utter outrage, even to the point where the Cardinal continuously must ask him to calm down. Here, Ferdinand offers a terrifying image of what he would to the Duchess for revenge: burn her and her lover in a coal pit with closed vents to prevent her from going to heaven, or dip their bed sheets in sulfur, wrap Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciun

Act 3, Scene 1 Quotes

Do you think that herbs or charms
Can force the will? Some trials have been made
In this foolish practice, but the ingredients
Were lenitive poisons, such as are of force
To make the patient mad; and straight the witch
Swears, by equivocation, they are in love.
The witchcraft lies in her rank blood.

Related Characters: Ferdinand, Duke of Calabria (speaker), Daneil de Bosola, The Duchess of Malfi
Related Symbols: Blood
Page Number and Citation: 3.1.72-78
Explanation and Analysis:
Ferdinand speaks these lines to Bosola after Bosola wonders if someone has used a love potion on the Duchess. Contrasting Bosola, Ferdinand does not believe in love potions. He says that some trials have been done, but in most cases it was discovered that the ingredients were poisons to drive someone into insanity and get them to think or mistakenly admit that they were in love. Ferdinand claims, on the other hand, that the Duchess doesn’t need any witchcraft other than her rank blood. Rank here contains the dual meaning of status and disgusting, though the status implication is secondary Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusand

Act 3, Scene 2 Quotes

Do I not dream? Can this ambitious age
Have so much goodness in't as to prefer
A man merely for worth, without these shadows
Of wealth and painted honours? Possible?

Related Characters: Daneil de Bosola (speaker), Antonio Bologna, The Duchess of Malfi
Page Number and Citation: 3.2.276-279
Explanation and Analysis:
This excerpt comes after Ferdinand has confronted the Duchess for having children, and the Duchess has pretended to fire Antonio to give him time to flee. The Duchess privately asks Bosola what he thinks of Antonio’s fabricated crime, and Bosola defends Antonio so passionately that the Duchess confides in him the truth: Antonio is her husband and the father of her children. Upon hearing this news, Bosola is shocked, and he responds with the lines quoted. He wonders if he is dreaming, because in the “ambitious age” they are in, it’s unheard of that a Duchess would marry below her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

Act 3, Scene 5 Quotes

Thou dost blanch mischief;
Wouldst make it white. See, see, like to calm weather
At sea, before a tempest, false hearts speak fair
To those they intend most mischief.

Related Characters: The Duchess of Malfi (speaker), Ferdinand, Duke of Calabria, Daneil de Bosola, Antonio Bologna, The Cardinal
Page Number and Citation: 3.5.23-26
Explanation and Analysis:
The Duchess says this to Bosola after she and her family have been formally banished by the Cardinal. Bosola has come bearing kind letters from her brothers that invite Antonio to come reconcile with them. But the Duchess rightly recognizes that Bosola is essentially whitewashing the true content of the letters. Like the calm before a storm, she says, false hearts speak kindly to those they are about to harm. The Duchess knows this to be true, since she employed a similar tactic, using a feigned pilgrimage as an excuse to flee. We can also note the exquisite poetry of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia

Thou art happy that thou hast not understanding
To know thy misery; for all our wit
And reading brings us to a truer sense
Of sorrow.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola, Antonio Bologna, Children
Page Number and Citation: 3.5.66-69
Explanation and Analysis:
The Duchess speaks these lines to her son after she and Antonio have decided to split up the children in the hopes that more of them will survive. Essentially, she says that ignorance is bliss. The boy is happy because he does not have the ability to understand the misery he is undergoing; intelligence and reading only lead to better understanding of sadness. These lines echo a sentiment expressed by Bosola earlier, that wisdom is like a disease that only leads to folly. The lines have a bleak outlook for scholarship, since they suggest that the more one studies the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita

Act 4, Scene 1 Quotes

That's the greatest torture souls feel in hell:
In hell that they must live, and cannot die.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola, Antonio Bologna, Children, Ferdinand, Duke of Calabria, The Cardinal
Page Number and Citation: 4.1.70-71
Explanation and Analysis:
The Duchess offers these dejected lines after Ferdinand has forced her to kiss a dead man’s hand and has shown her silhouettes meant to convince her that Antonio and her children are dead. Upon learning that her family is dead, the Duchess loses all will to live, and she asks Bosola to kille her. Bosola denies her and says she must live, to which she responds that it’s the greatest torture felt in hell: souls in hell have to live and cannot die. Living without her love and her children makes existence pain and suffering. Simply being alive in this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Ac

I account this world a tedious theatre,
For I do play a part in't 'gainst my will.

Related Characters: The Duchess of Malfi (speaker), The Cardinal, Children, Antonio Bologna, Ferdinand, Duke of Calabria
Page Number and Citation: 4.1.83-84
Explanation and Analysis:
The Duchess speaks this meta-theatrical line in another expression of her frustration that she cannot die. Since she believes Antonio and her children are dead, she no longer wants to live. As stated above, existence is torturous to the Duchess, which is exactly what Ferdinand intends. Here the Duchess expresses this frustration by comparing the world to a “tedious theatre” in which she is forced to play a part against her will. Webster makes uncanny, meta-theatrical references this one throughout the play, especially in situations that the characters seem to recognize as excessively tragic, theatrical, or dramatic. In a way, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia ape

Damn her! That body of hers,
While that my blood ran pure in't, was more worth
Than that which thou wouldst comfort, called a soul.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi, Daneil de Bosola
Related Symbols: Blood
Page Number and Citation: 4.1.120-122
Explanation and Analysis:
Ferdinand knows that his torture of the Duchess is working, as she is convinced that her family is dead and it agonizes her. Bosola tries to convince Ferdinand to stop torturing her now, but Ferdinand is still furious. He cries out for her to be damned, and he says that, while his blood ran pure through her, her body was worth more than her soul. He suggests, too, that Bosola is attempting to comfort her by ending the torture, which is something she does not deserve. First of all, such an image reinforces the notion that Ferdinand did not want Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

Act 4, Scene 2 Quotes

BOSOLA: Doth not death fright you?

DUCHESS: Who would be afraid on't,
Knowing to meet such excellent company
In th'other world?

I know death hath ten thousand several doors
For men to take their exits; and 'tis found
They go on such strange, geometrical hinges,
You may open them both ways.
…Tell my brothers
That I perceive death, now I am well awake,
Best gift is they can give or I can take.

Related Characters: The Duchess of Malfi (speaker), Daneil de Bosola (speaker), Ferdinand, Duke of Calabria, Children
Page Number and Citation: 4.2.200-214
Explanation and Analysis:
This exchange happens in the moments before the Duchess’s death. In the face of her executioner, she remains proud, composed, and unafraid, saying that she doesn’t fear death because she knows she’ll meet excellent company in the other world (meaning heaven). Though previously she dismissed religion as foolish superstition, in the face of death the Duchess turns to religion for comfort. She continues that she is not afraid because there are ten thousand ways to die, and some doors to death so strange that they can be opened both ways. The implication of this statement is that death can come Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possim

Only, I must confess, I had a hope,
Had she continued widow, to have gained
An infinite mass of treasure by her death,
And that was the main cause: her marriage -
That drew a stream of gall quite through my heart.
For thee - as we observe in tragedies
That a good actor many times is cursed
For playing a villain's part - I hate thee for't,
And, for my sake, say thou hast done much ill well.

Related Characters: Ferdinand, Duke of Calabria (speaker), Daneil de Bosola, The Duchess of Malfi
Page Number and Citation: 4.2.270-278
Explanation and Analysis:
Ferdinand speaks these lines over the Duchess’s dead body, expressing his instant remorse for having her killed. He confesses finally that the reason he wanted her not to remarry was that he hoped to secure his own inheritance of her large fortune. Of course, the subtext of much of his speech throughout the play implies that another reason he wanted the Duchess dead was his own conflict over his incestuous desire for her, though he still does not confess this outright. He continues in another meta-theatrical moment, saying to Bosola that, as in tragedies, sometimes a good actor is cursed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

Act 5, Scene 1 Quotes

It may be that the sudden apprehension
Of danger - for I'll go in mine own shape –
When he shall see it fraught with love and duty,
May draw the poison out of him, and work
A friendly reconcilement. If it fail,
Yet it shall rid me of this infamous calling;
For better fall once than be ever falling.

Related Characters: Antonio Bologna (speaker), The Duchess of Malfi, Delio, The Cardinal
Related Symbols: Poison
Page Number and Citation: 5.1.67-73
Explanation and Analysis:
Antonio speaks these lines to Delio outside of the Cardinal’s palace. He plans to confront the Cardinal in a last ditch attempt to reconcile. He says that he hopes that sudden fear in the Cardinal (since Antonio will be appearing without disguise) will draw the poison of hate out of the Cardinal and help bring about a reconciliation between Antonio and the Cardinal. Antonio is especially hopeful that the Cardinal be sympathetic to Antonio once he sees that Antonio is driven by love and duty. Here hatred is compared to a poison, which, once removed from the body, will leave Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Act 5, Scene 2 Quotes

O poor Antonio! Though nothing be so needful
To thy estate as pity, yet I find
Nothing so dangerous.
… How this man
Bears up in blood, seems fearless! Why, 'tis well:
Security some men call the suburbs of hell -
Only a dead wall between. Well, good Antonio,
I'll seek thee out, and all my care shall be
To put thee into safety from the reach
Of these most cruel biters that have got
Some of thy blood already. It may be
I'll join with thee in a most just revenge.

Related Characters: Daneil de Bosola (speaker), Antonio Bologna, The Cardinal, Julia, Ferdinand, Duke of Calabria
Related Symbols: Blood
Page Number and Citation: 5.2.326-339
Explanation and Analysis:
Bosola speaks this soliloquy after the Cardinal kills Julia and instructs Bosola to kill Antonio. Bosola agrees, but once alone on stage, he expresses his pity for Antonio. At the same time, he recognizes that pitying Antonio puts him in a very dangerous position, since Antonio is “[borne] up in blood,” meaning both that he is brave and that blood is being spilled everywhere around him. Bosola goes on to say that security is considered by some to be the suburb of hell, so he’ll take a risk and try to help Antonio to safety from the Cardinal and Ferdinand Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi a

Act 5, Scene 5 Quotes

My sister! Oh, my sister! There's the cause on't.
Whether we fall by ambition, blood or lust,
Like diamonds we are cut with our own dust.

Related Characters: Ferdinand, Duke of Calabria (speaker), The Duchess of Malfi
Page Number and Citation: 5.5.73-75
Explanation and Analysis:
These are Ferdinand’s final lines, spoken after he has stabbed Bosola and his brother, whom he mistook for the devil. First, Ferdinand calls out to his sister; this is fitting given that he has been driven insane by guilt over his role in her death, and also because during her life he was utterly controlling and harbored secret incestuous desires for her. He then concludes the sentiment that has been building throughout the play, one that he suspected when he first learned that the Duchess disobeyed him. Whether we fall because of our ambition, our blood (which here means both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

MALATESTE: Thou wretched thing of blood,
How came Antonio by his death?

BOSOLA: In a mist - I know not how.
Such a mistake as I have often seen
In a play. Oh, I am gone!
We are only like dead walls, or vaulted graves
That, ruined, yields no echo. Fare you well.
It may be pain, but no harm to me to die
In so good a quarrel.

Related Characters: Count Malateste (speaker), Daneil de Bosola (speaker), Antonio Bologna
Related Symbols: Blood
Page Number and Citation: 5.5.95-103
Explanation and Analysis:
After Ferdinand and the Cardinal have explained part of the chaotic final scene and died, Malateste calls Bosola a “wretched thing of blood.” We can note that “thing of blood” echoes Shakespeare’s revenge play Coriolanus. Malateste uses this epithet to ask Bosola how Antonio died, and Bosola offers a final meta-theatrical explanation, saying that Antonio died in a mist, and that he doesn’t know how it happened. Such mistakes, he says, are often depicted in plays. This accidental death is a result of misfortune, and there is no explanation available to Bosola other than it seemed like it was scripted. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur l