Don Quixote
Don Quixote
by Miguel de Cervantes

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Themes and Colors
Truth and Lies Theme Icon
Literature, Realism, and Idealism Theme Icon
Madness and Sanity Theme Icon
Intention and Consequence Theme Icon
Self-Invention, Class Identity, and Social Change Theme Icon
LitCharts assigns a color and icon to each theme in Don Quixote, which you can use to track the themes throughout the work.
Madness and Sanity Theme Icon
Madness and Sanity Theme Icon

Quixote is considered insane because he “see[s] in his imagination what he didn’t see and what didn’t exist.” He has a set of chivalry-themed hallucinations. But then, they are not quite hallucinations, which by definition occur without any external stimulus. They are distorted perceptions of real objects and events. To see giants instead of windmills is, in a way, just a very peculiar interpretation of large, vaguely threatening objects in motion. And many other instances of Quixote’s madness – his rigid principles, his obsession with knighthood – are also peculiarities. The priest and the barber, who persecute Quixote in the guise of well-wishers trying to restore his sanity, are simply trying to stamp out his unsettling peculiarity. They are conducting a witch-hunt in the timeless manner of narrow-minded people threatened by strangeness.

Quixote’s madness is ambiguous and paradoxical, because he both and does not see; he sees the giants in his imagination, but he does not hallucinate giants in the world outside. His madness consists in his trusting his imagination over his perception, and his imagination is captivated by the values of chivalry books. His madness is a state of thrall to a coherent imagined world. But in the course of his adventures, that world loses its coherence: it is shaken by internal inconsistencies and by the world’s complications and contradictions. When Quixote declares on his deathbed that he is finally sane, he means that the imagined world has lost its grip on him, and he is left with a chilling blankness that cannot sustain him.

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Madness and Sanity ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Madness and Sanity appears in each chapter of Don Quixote. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Chapter
Part 1, Prologue
1.
Part 1, Chapter 1
1.1
Part 1, Chapter 2
1.2
Part 1, Chapter 3
1.3
Part 1, Chapter 4
1.4
Part 1, Chapter 5
1.5
Part 1, Chapter 6
1.6
Part 1, Chapter 7
1.7
Part 1, Chapter 8
1.8
Part 1, Chapter 9
1.9
Part 1, Chapter 10
1.10
Part 1, Chapter 11
1.11
Part 1, Chapter 12
1.12
Part 1, Chapter 13
1.13
Part 1, Chapter 14
1.14
Part 1, Chapter 15
1.15
Part 1, Chapter 16
1.16
Part 1, Chapter 17
1.17
Part 1, Chapter 18
1.18
Part 1, Chapter 19
1.19
Part 1, Chapter 20
1.20
Part 1, Chapter 21
1.21
Part 1, Chapter 22
1.22
Part 1, Chapter 23
1.23
Part 1, Chapter 24
1.24
Part 1, Chapter 25
1.25
Part 1, Chapter 26
1.26
Part 1, Chapter 27
1.27
Part 1, Chapter 28
1.28
Part 1, Chapter 29
1.29
Part 1, Chapter 30
1.30
Part 1, Chapter 31
1.31
Part 1, Chapter 32
1.32
Part 1, Chapter 33
1.33
Part 1, Chapter 34
1.34
Part 1, Chapter 35
1.35
Part 1, Chapter 36
1.36
Part 1, Chapter 37
1.37
Part 1, Chapter 38
1.38
Part 1, Chapter 39
1.39
Part 1, Chapter 40
1.40
Part 1, Chapter 41
1.41
Part 1, Chapter 42
1.42
Part 1, Chapter 43
1.43
Part 1, Chapter 44
1.44
Part 1, Chapter 45
1.45
Part 1, Chapter 46
1.46
Part 1, Chapter 47
1.47
Part 1, Chapter 48
1.48
Part 1, Chapter 49
1.49
Part 1, Chapter 50
1.50
Part 1, Chapter 51
1.51
Part 1, Chapter 52
1.52
Part 2, Prologue
2.
Part 2, Chapter 1
2.1
Part 2, Chapter 2
2.2
Part 2, Chapter 3
2.3
Part 2, Chapter 4
2.4
Part 2, Chapter 5
2.5
Part 2, Chapter 6
2.6
Part 2, Chapter 7
2.7
Part 2, Chapter 8
2.8
Part 2, Chapter 9
2.9
Part 2, Chapter 10
2.10
Part 2, Chapter 11
2.11
Part 2, Chapter 12
2.12
Part 2, Chapter 13
2.13
Part 2, Chapter 14
2.14
Part 2, Chapter 15
2.15
Part 2, Chapter 16
2.16
Part 2, Chapter 17
2.17
Part 2, Chapter 18
2.18
Part 2, Chapter 19
2.19
Part 2, Chapter 20
2.20
Part 2, Chapter 21
2.21
Part 2, Chapter 22
2.22
Part 2, Chapter 23
2.23
Part 2, Chapter 24
2.24
Part 2, Chapter 25
2.25
Part 2, Chapter 26
2.26
Part 2, Chapter 27
2.27
Part 2, Chapter 28
2.28
Part 2, Chapter 29
2.29
Part 2, Chapter 30
2.30
Part 2, Chapter 31
2.31
Part 2, Chapter 32
2.32
Part 2, Chapter 33
2.33
Part 2, Chapter 34
2.34
Part 2, Chapter 35
2.35
Part 2, Chapter 36
2.36
Part 2, Chapter 37
2.37
Part 2, Chapter 38
2.38
Part 2, Chapter 39
2.39
Part 2, Chapter 40
2.40
Part 2, Chapter 41
2.41
Part 2, Chapter 42
2.42
Part 2, Chapter 43
2.43
Part 2, Chapter 44
2.44
Part 2, Chapter 45
2.45
Part 2, Chapter 46
2.46
Part 2, Chapter 47
2.47
Part 2, Chapter 48
2.48
Part 2, Chapter 49
2.49
Part 2, Chapter 50
2.50
Part 2, Chapter 51
2.51
Part 2, Chapter 52
2.52
Part 2, Chapter 53
2.53
Part 2, Chapter 54
2.54
Part 2, Chapter 55
2.55
Part 2, Chapter 56
2.56
Part 2, Chapter 57
2.57
Part 2, Chapter 58
2.58
Part 2, Chapter 59
2.59
Part 2, Chapter 60
2.60
Part 2, Chapter 61
2.61
Part 2, Chapter 62
2.62
Part 2, Chapter 63
2.63
Part 2, Chapter 64
2.64
Part 2, Chapter 65
2.65
Part 2, Chapter 66
2.66
Part 2, Chapter 67
2.67
Part 2, Chapter 68
2.68
Part 2, Chapter 69
2.69
Part 2, Chapter 70
2.70
Part 2, Chapter 71
2.71
Part 2, Chapter 72
2.72
Part 2, Chapter 73
2.73
Part 2, Chapter 74
2.74
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Madness and Sanity Quotes in Don Quixote

Below you will find the important quotes in Don Quixote related to the theme of Madness and Sanity.

Part 1, Prologue Quotes

And to what can my barren and ill-cultivated mind give birth except the history of a dry, shriveled child, whimsical and full of extravagant fancies that nobody else has ever imagined – a child born, after all, in prison, where every discomfort has its seat and every dismal sound its habitation?

Related Characters: Cervantes (speaker)
Related Literary Devices:
Page Number and Citation: 2
Explanation and Analysis:
The narrator begins the prologue with a description of the novel: it is the "history of a dry, shriveled child," the product of its parent and environment, a "barren and ill-cultivated mind" and a prison cell.Cervantes blurs the boundary between novel and protagonist: though the narrator first explains that he has given birth to the "history" of a child, he then implies that he simply has given birth to a child. In this way, Cervantes aligns himself with his character, encouraging readers to consider the similarities between Don Quixote and the author. Both create "whimsical" worlds for themselves; both understand Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem.

Part 1, Chapter 1 Quotes

In short, our hidalgo was soon so absorbed in these books that his nights were spent reading from dusk till dawn, and his days from dawn till dusk, until the lack of sleep the excess of reading withered his brain, and he went mad. … The idea that this whole fabric of famous fabrications was real so established itself in his mind that no history in the world was truer for him.

Related Characters: Don Quixote de la Mancha
Related Literary Devices:
Page Number and Citation: 26
Explanation and Analysis:
In this opening chapter, the narrator recounts the origins of Don Quixote’s obsession with chivalric stories. The old man argues with the village curate and the barber about some detail; he thinks of nothing else.This is a clear indictment of the genre: the chiasmic repetition of “dusk till dawn” and “dawn till dusk” shows us the extent of Don Quixote's obsession with these novels. And yet Cervantes seems to mock at once the chivalric novels and the superstitious belief that these novels could affect a reader. The narrator mentions the causal connection between Don Quixote's insanity and the books with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste.

Part 1, Chapter 2 Quotes

And since whatever our adventurer thought, saw, or imagined seemed to him to be as it was in the books he’d read, as soon as he saw the inn he took it for a castle with its four towers and their spires of shining silver.

Related Characters: Don Quixote de la Mancha
Related Symbols: Inns
Page Number and Citation: 32
Explanation and Analysis:
Quixote setts off to see the world as a chivalric knight. On the first evening, he comes upon an inn, which he mistakes for a castle. Here Cervantes establishes a pattern that Quixote will repeat throughout the novel—that is, seeing fantastical elements torn from his beloved chivalric tales where there are only mundane realities—as well as the contrast between the world as it is to the eyes of the apparently objective narrator and the world of the protagonist's imagination. The latter, however divorced from reality, is a decidedly more beautiful and interesting place to inhabit, suggesting that Cervantes has a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non

Part 1, Chapter 8 Quotes

But Don Quixote was so convinced that they were giants that he neither heard his squire Sancho’s shouts nor saw what stood in front of him.

Related Characters: Sancho Panza, Don Quixote de la Mancha
Page Number and Citation: 64
Explanation and Analysis:
In one of the novel’s most famous scenes, Don Quixote mistakes a group of thirty or forty windmills for giants and charges them with his lance. Predictably, the lance is shattered, and both Quixote and his horse are dragged across the ground. The modern English idiom “tilting at windmills,” meaning to charge at imaginary enemies, is derived from this scene; the phrase is typically used to suggest the misapplication of romantic or heroic ideals, the misinterpretation of an adversary, or the vain pursuit of a (perhaps itself vain) goal. A clear satire of the blind, foolish chivalry of past romantic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

Part 1, Chapter 37 Quotes

Don Quixote was developing his arguments in such an orderly and lucid way that for the time being none of those listening could believe he was a madman.

Related Characters: Don Quixote de la Mancha
Related Symbols: Inns
Page Number and Citation: 355
Explanation and Analysis:
While at an inn, Don Quixote explains to a diverse audience the nature of taking up arms in contrast to academic pursuits. The other guests are comprised of noblemen and commoners alike, and notably even the many gentlemen in the audience sit with rapt attention as Quixote speaks. That utterly "mad" Quixote can come across as so remarkably cogent while discussing complicated philosophical matters reflects the fact that, however crazy he may be, he is still a man who for nearly fifty years led a contemplative existence before his turn to knight errantry. Quixote is certainly mad in the sense Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volu

Part 1, Chapter 45 Quotes

It is possible that, since you have not been knighted, as I have, the enchantments in this place do not affect you, and that your understanding is unclouded, and that you can form judgments about the affairs of the castle as they really and truly are, rather than as they appeared to me.

Related Characters: Don Quixote de la Mancha (speaker), Barber 2, The barber, Don Fernando, The priest
Related Symbols: Inns, Enchanters
Page Number and Citation: 420
Explanation and Analysis:
While at an inn, the barber, in an attempt to make a joke at Quixote's expense, affirms that the basin before him is really a helmet, just as Quixote says. In response, the angry second barber (from whom Quixote earlier stole the basin) counters that if that basin is a helmet, then a pack-saddle to which he points must be a “caparison” (a sort of decorative armor for horses)—though on this point, Quixote makes the (unintentionally) humorous response that it’s simply a pack saddle.The priest, who has caught on to the first barber’s joke, insists that Quixote is the only one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda offi

But one man had been plunged into the deepest depths of despair, and that was the barber, whose basin, there before his very eyes, had turned into Mambrino’s helmet, and whose pack-saddle, he was very sure, was about to turn into the splendid caparisons of some handsome steed.

Related Characters: Don Quixote de la Mancha, Barber 2
Related Symbols: Inns
Page Number and Citation: 420
Explanation and Analysis:
Still at the inn, other men who know of Quixote's madness have joined in the joke at his expense, affirming that the objects before them all are indeed a helmet and caparison. This drives the second barber, who knows nothing of Quixote's tendency toward delusion, to "despair"—something the others find just as amusing as their initial trick. The reader, of course, knows that the objects really are just a basin and saddle, but truth proves far more slippery and subjective in the world of the novel. And however silly this entire episode may be, this scene introduces a legitimate philosophical theory: this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Pos

Part 1, Chapter 48 Quotes

…whereas drama should, as Cicero puts it, be a mirror of human life, an exemplar of customs and an image of truth, there modern plays are just mirrors of absurdity, exemplars of folly and images of lewdness.

Related Characters: The priest (speaker), Don Quixote de la Mancha, The canon
Page Number and Citation: 444
Explanation and Analysis:
Speaking to Quixote and the canon, the priest insists that literature only has value if it accurately reflects reality. This is why he so dislikes books of chivalry, which, in his estimation, portray only absurdity and lewdness. Yet the "image of truth" that the priest wants reflected in literature is really just the image of the world as he sees it. Throughout the novel the priest is presented as a narrow-minded character threatened by any sort of difference or strangeness. His aversion to chivalry tales comes from the same place as his desire to make Quixote give up his delusions Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accus

Part 2, Chapter 17 Quotes

…he sometimes thought [Quixote] sane and sometimes mad, because what he said was coherent, elegant and well expressed, and what he did was absurd, foolhardy and stupid.

Related Characters: Don Quixote de la Mancha, Don Diego de Miranda
Page Number and Citation: 598
Explanation and Analysis:
Following Quixote's insistence on "fighting" two lions, the hidalgo Don Diego is utterly confused by the man's behavior. The narrator notes that Don Diego hasn't read the first part of Quixote's story, and as such doesn't know about his specific form of madness. Instead, he regards Quixote "as a sane man with madness in him, as a madman with sane tendencies." That is, Quixote does crazy things, but can eloquently justify his actions, however foolish or absurd. This is in keeping with other characters' observations of Quixote's behavior throughout the novel, and underscores the internal consistency of his madness. Quixote Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum do

Part 2, Chapter 24 Quotes

I cannot bring myself to believe that everything recorded in this chapter happened to the brave Don Quixote exactly as described… Yet I can’t believe that Don Quixote was lying, because he was the most honest hidalgo and the noblest knight of his time: he couldn’t have told a lie to save himself from being executed. … so I merely record it, without affirming either that it is false or that it is true.

Related Characters: Cide Hamete Benengeli (speaker), Don Quixote de la Mancha
Page Number and Citation: 648
Explanation and Analysis:
The novel contains multiple authorial interjections (really, interjections from the fictional narrator) commenting on the veracity and meaning of the story at hand. Here, the narrator is referencing the "original" words of "author" Cide Hamete Benengeli, as first viewed by an original "translator" (none of whom are real; this has all been constructed by  Cervantes). Cide asserts that he is simply a scribe, or a messenger, for the tale that follows—which is too fantastical to be true, yet paradoxically comes from someone he views as a completely honest man. This latter point is ironic, though not necessarily wrong; Quixote may Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

Part 2, Chapter 74 Quotes

My mind has been restored to me, and it is now clear and free, without those gloomy shadows of ignorance cast over me by my wretched, obsessive reading of those detestable books of chivalry. Now I can recognize their absurdity and their deceitfulness, and my only regret is that this discovery has come so late that it leaves me no time to make amends by reading other books that might be a light for my soul.

Related Characters: Don Quixote de la Mancha (speaker)
Page Number and Citation: 976
Explanation and Analysis:
After returning home Quixote comes down with a fever and sleeps for days. Upon waking up, he declares that he is now sane, completely free of the delusions that fueled his actions throughout the novel. That he regains his sanity after sleep suggests that he is finally waking up from a dream, in a way. Where before he viewed chivalry tales as morally instructive—stories that made him a better man—he now looks back on them as full of deceit and folly. It's true that his delusions led him into frequent danger and trouble, but Quixote's renunciation of everything about chivalry Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem.

You must congratulate me, my good sirs, because I am no longer Don Quixote de la Mancha but Alonso Quixano, for whom my way of life earned me the nickname of “the Good”. I am now the enemy of Amadis of Gaul and the whole infinite horde or his descendants; now all those profane histories of knight-errantry are odious to me; now I acknowledge my folly and the peril in which I was placed by reading them; now, by God’s mercy, having at long last learned my lesson, I abominate them all.

Related Characters: Don Quixote de la Mancha (speaker)
Related Literary Devices:
Page Number and Citation: 977
Explanation and Analysis:
Believing his is going to die, Quixote continues his final confession by not only renouncing chivalry, but his name itself. He again becomes Alonso Quixano, albeit with the added moniker of "the Good"—which would suggest a certain virtue in this return to sanity. Indeed, this moment could be read as the triumph of a madman over his delusions. However, the loss of Quixote also feels like a loss of self. It is, at the very least, a loss of the character readers have come to know and love over the past thousand pages. Throughout the novel Quixote's madness has been Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim