Every Man in His Humour
by Ben Jonson

or to save your progress

Every Man in His Humour Quotes

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Prologue Quotes

He rather prays you will be pleased to see
One such, today, as other plays should be.
Where neither chorus wafts you o'er the seas;
Nor creaking throne comes down, the boys to please;
Nor nimble squib is seen to make afeard
The gentlewomen; nor rolled bullet heard
To say it thunders; nor tempestuous drum
Rumbles, to tell you when the storm doth come;
But deeds, and language, such as men do use,
And persons, such as Comedy would choose,
When she would show an image of the times,
And sport with human follies, not with crimes.
Except, we make ‘em such by loving still
Our popular errors, when we know they're ill.
I mean such errors, as you'll all confess,
By laughing at them, they deserve no less:
Which when you heartily do, there's hope left, then,
You, that have so graced monsters, may like men.

Page Number and Citation: 7
Explanation and Analysis:
This comes right at the start of the play, preceding any of the actual action. It sets out Jonson’s intentions, acting as a kind of mission statement. Deliberately situating Every Man in his Humour in the theatrical landscape of Elizabethan London, Jonson intends his play to be something different from the dominant fashions of the day. He discusses the theatrical trends, distancing himself from their usage, e.g. a Greek-style chorus or over-zealous sound effects (the thunder of the “tempestuous drum”). The prologue explicitly promises to make the “deeds” and “language” of the day at the play’s heart, in order to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Comm

Act 1, Scene 1 Quotes

How happy yet should I esteem myself,
Could I, by any practice, wean the boy
From one vain course of study he affects.
He is a scholar, if a man may trust
The liberal voice of fame in her report,
Of good account in both our Universities,
Either of which hath favoured him with graces:
But their indulgence must not spring in me
A fond opinion that he cannot err.
Myself was once a student, and indeed,
Fed with the self-same humour he is now,
Dreaming on nought but idle poetry,
That fruitless and unprofitable art,
Good unto none, but least to the professors;
Which then I thought the mistress of all knowledge:
But since, time and the truth have waked my judgment.
And reason taught me better to distinguish
The vain from the useful learnings.

Related Characters: Old Knowell (speaker), Edward Knowell
Related Symbols: Poetry
Page Number and Citation: 8-10
Explanation and Analysis:
This early quote gives the audience insight into the mind of Old Knowell, who is worried about his son’s path from adolescence to adulthood. Here, this worry is explicitly tied to the question of poetry. Though Old Knowell appreciates that Edward is doing well with his studies, seemingly of his own accord, Old Knowell also feels that his son spends too much time thinking about “idle poetry.” Old Knowell thus expresses the view that poetry is distinctly purposeless, establishing poetry and language more generally as a common theme in the play. The audience doesn’t learn Old Knowell’s profession, but it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium rec

Act 1, Scene 2 Quotes

I am resolved, I will not stop his journey;
Nor practise any violent means, to stay
The unbridled course of youth in him; for that,
Restrained, grows more impatient; and, in kind,
Like to the eager but the generous greyhound,
Who ne'er so little from his game withheld,
Turns head, and leaps up at his holder's throat.
There is a way of winning, more by love,
And urging of the modesty, than fear:
Force works on servile natures, not the free.
He that's compelled to goodness may be good;
But 'tis but for that fit; where others, drawn
By softness and example, get a habit.
Then, if they stray, but warn ‘em, and the same
They should for virtue have done, they'll do for shame.

Related Characters: Old Knowell (speaker), Edward Knowell
Page Number and Citation: 14
Explanation and Analysis:
Early on in the play, Old Knowell expresses his concern for his son, Edward. He can sense that Edward is growing into his own person—a fact which he finds difficult to deal with. On the one hand, he wants to let him be his own man; at the same time, he feels an urge to exert a controlling influence over his son. Here, Old Knowell seems to plot the first course: his intention is to win “more by love” than “fear”—that is, he thinks a more hands-off approach will benefit both him and his son. But the metaphor that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciun

Act 1, Scene 4 Quotes

He useth every day to a merchant's house (where I serve water), one master Kitely's, i’ the Old Jewry; and here's the jest, he is in love with my master's sister, Mrs. Bridget, and calls her mistress; and there he will sit you a whole afternoon sometimes, reading o’ these same abominable, vile (a pox on 'em, I cannot abide them), rascally verses, poyetry, poyetry, and speaking of interludes; 'twill make a man burst to hear him. And the wenches, they do so jeer, and tee-hee at him.

Related Characters: Cob (speaker), Master Matthew, Tib, Mistress Bridget
Related Symbols: Poetry
Page Number and Citation: 20
Explanation and Analysis:
This quote comes when the audience first encounters Cob, who is a humble working-class water-carrier. He is talking to his wife, Tib, about Master Matthew, who is something of an urban fool. The audience learns here that something is amiss with Kitely’s house—that other characters are assembling there and using it is as a kind of hang-out. Cob, though he is not of refined learning, can sense that Matthew’s (decidedly bad) poetry is inauthentic. Cob, in a way similar to Downright, has a distaste for pretentiousness, embodying one of the principal concerns of the play: the use and abuse of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Opti

Act 2, Scene 3 Quotes

A new disease? I know not, new, or old,
But it may well be called poor mortals' plague;
For, like a pestilence, it doth infect
The houses of the brain. First it begins
Solely to work upon the fantasy,
Filling her seat with such pestiferous air,
As soon corrupts the judgment; and from thence,
Sends like contagion to the memory:
Still each to other giving the infection.
Which, as a subtle vapour, spreads itself
Confusedly through every sensive part,
Till not a thought, or motion, in the mind,
Be free from the black poison of suspect.
Ah, but what misery is it, to know this?
Or, knowing it, to want the mind's erection
In such extremes? Well, I will once more strive,
(In spite of this black cloud) myself to be,
And shake the fever off, that thus shakes me.

Related Characters: Kitely (speaker), Dame Kitely
Related Literary Devices:
Page Number and Citation: 33
Explanation and Analysis:
This quote comes in the second Act, and shows the development of Kitely’s jealousy. This is based on the behaviors of Wellbred, who lodges at Kitely’s house, and his entourage. Kitely is concerned that they are engaged in illicit behavior, and here that concern extends to a fear that he will be cuckolded—that his wife will sleep with someone else. This quote is also useful for developing a sense of the role of the four humours medical theory in the play. The four humours were phlegm, blood, black and yellow bile: a healthy person maintained a balance of these within Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus co

Act 2, Scene 5 Quotes

Nay, would ourselves were not the first, even parents,
That did destroy the hopes in our own children:
Or they not learned our vices in their cradles,
And sucked in our ill customs with their milk.
Ere all their teeth be born, or they can speak,
We make their palates cunning! the first words
We form their tongues with, are licentious jests!
Can it call, whore? cry bastard? O, then, kiss it!

Related Characters: Old Knowell (speaker), Edward Knowell
Page Number and Citation: 36
Explanation and Analysis:
This quote comes as Old Knowell, despite his earlier resolve to a keep distance from his son, tries to follow Edward across the Moorfields of London and spy on him. Old Knowell is alone on stage when the speech is delivered, and therefore his words can be taken as the expression of his innermost thoughts. The quote shows the complex, thorny issue of parent-child relationships. Old Knowell is distressed, thinking about the way that parents influence their children and in particular are prone to passing on their bad faults. He also rallies against what he sees as a corruption of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Ap

Act 3, Scene 1 Quotes

STEPHEN: Ay, truly, sir, I am mightily given to melancholy.

MATTHEW: Oh, it's your only fine humour, sir: your true melancholy breeds your perfect fine wit, sir. I am melancholy myself, divers times, sir, and then do I no more but take pen and paper presently, and overflow you half a score, or a dozen of sonnets at a sitting.

Related Characters: Master Stephen (speaker), Master Matthew (speaker), Wellbred, Edward Knowell
Related Symbols: Poetry
Page Number and Citation: 42
Explanation and Analysis:
This conversation takes place near the Windmill Tavern, where a number of the characters assemble in Act 3. It represents a kind of competition between two fools—Stephen is the country fool and Matthew the urbanite. They are each trying to impress their peers—primarily Edward Knowell and Wellbred—and are attempting to outdo each other on their level of melancholy. As implied by Matthew’s words, there is a connection between melancholy (thought to be caused by an excess of black bile) and poetry; that is, there is a certain romance to being melancholy because suffering and great art go together. Matthew isn’t Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio

Act 3, Scene 2 Quotes

EDWARD: Ay, by his leave, he is, and under favour: a pretty piece of civility! Sirrah, how dost thou like him?

WELLBRED: Oh, it's a most precious fool, make much on him: I can compare him to nothing more happily than a drum; for every one may play upon him.

Related Characters: Edward Knowell (speaker), Wellbred (speaker), Master Stephen, Brainworm
Page Number and Citation: 45
Explanation and Analysis:
This quote comes when Edward and Wellbred are walking with Stephen and encounter Brainworm in disguise. The two men are talking about Stephen, and the conversation provides a neat summary of how they see the world. To them, other people—foolish people—represent entertainment, and they see it as a kind of sport to draw human folly out of those around them. This is part of their overall project to identify as gallants—young, rebellious men who affect an air of disinterestedness and disdain. Wellbred uses a musical image to describe Stephen, suggesting he is an instrument for the playing.

Act 3, Scene 4 Quotes

COB: Humour! Mack, I think it be so indeed; what is that humour? some rare thing, I warrant.

CASH: Marry I'll tell thee, Cob: it is a gentlemanlike monster, bred in the special gallantry of our time, by affectation; and fed by folly.

Related Characters: Cob (speaker), Cash (speaker)
Page Number and Citation: 52
Explanation and Analysis:
In this brief exchange, Cash tries to introduce Cob to the theory of the four humours. Cob is annoyed, not with any clear particular reason, and Cash tries to suggest that his frustration must be due to an imbalance of the humours. Cash’s description of this imbalance as a “gentlemanlike monster, bred in the special gallantry of our time, by affectation” is particularly useful in conceiving Jonson’s overall strategy for the play. Undesirable character traits are linked with an excessive desire to fit in and be respected, thus linking the idea of psychological or bodily imbalance to the notion of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolore

Act 3, Scene 6 Quotes

Bane to my fortunes! what meant I to marry?
I, that before was ranked in such content,
My mind at rest too, in so soft a peace,
Being free master of mine own free thoughts,
And now become a slave? What? never sigh;
Be of good cheer, man; for thou art a cuckold:
'Tis done, 'tis done! Nay, when such flowing-store,
Plenty itself, falls into my wife's lap,
The cornucopiae will be mine, I know. But, Cob,
What entertainment had they? I am sure
My sister and my wife would bid them welcome! Ha?

Related Characters: Kitely (speaker), Dame Kitely, Mistress Bridget, Cob
Page Number and Citation: 59
Explanation and Analysis:
As the play progress, Kitely’s irrational jealousy intensifies. Here, he convinces himself that he has already been cuckolded and manically tries to come to terms with it. “Cornucopiae” refers to the image of horns associated with the cuckold. Kitely’s speech is abrupt and jarring, representing the confused agitation of his inner state. His exclamation that “’tis done” carries with it a sexual innuendo, with “done” referring to the act of sex. Kitely’s jealousy is becoming so all-consuming that it even extends to his sister, Mistress Bridget. Cob is bemused as he—like Kitely, in fact—has seen no evidence of adultery on Dolorem et quae. Exe

Act 3, Scene 7 Quotes

Your cares are nothing: they are like my cap, soon put on, and as soon put off. What! your son is old enough to govern himself: let him run his course, it's the only way to make him staid man.

Related Characters: Justice Clement (speaker), Old Knowell, Edward Knowell
Page Number and Citation: 62
Explanation and Analysis:
This quote comes when Old Knowell is at Justice Clement’s house, probably in order to seek advice, guidance, or judgment regarding his son. Justice Clement is a rambunctious old man who has legal authority over the area. He is meant to represent a kind of common sense, not given to the excessive behaviors and foolish traits that consume the other characters. Here, he tries to reason with Old Knowell that he ought to leave Edward be; that is, he speaks to the part of Old Knowell that knows Edward is his own man. This is part of the overall restoration Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidun

Act 4, Scene 8 Quotes

No harm done, brother, I warrant you: since there is no harm done, Anger costs a man nothing: and a tall man is never his own man, till he be angry. To keep his valour in obscurity, is to keep himself, as it were, in a cloak bag. What's a musician, unless he play? What's a tall man, unless he fight? For, indeed, all this, my wise brother stands upon, absolutely: and that made me fall in with him so resolutely.

Related Characters: Wellbred (speaker), Downright, Kitely
Page Number and Citation: 78
Explanation and Analysis:
By this point in the play, Downright has become increasingly ready for a fight (including with his half-brother Wellbred). Here, Wellbred is discussing Downright’s behavior with Kitely, defending him by appealing to masculine ideals. Essentially, he is saying that a “tall” man—that is, a brave man—has to prove his bravery demonstrating his prowess in confrontation. And though Wellbred and Downright nearly came to blows in a preceding scene, Wellbred sees that as merely part of their nature. Fighting to a man, according to Wellbred’s logic, is akin to the playing of an instrument for a musician—necessary and part of their Dolorem et

Act 5, Scene 1 Quotes

JUSTICE CLEMENT: I see, rank fruits of a jealous brain, mistress Kitely: but did you find your husband there, in that case, as you suspected?

KITELY: I found her there, sir.

JUSTICE CLEMENT: Did you, so? that alters the case. Who gave you knowledge of your wife's being there?

KITELY: Marry, that did my brother Wellbred.

JUSTICE CLEMENT: How? Wellbred first tell her? then tell you, after? Where is Wellbred?

KITELY: Gone with my sister, sir, I know not whither.

JUSTICE CLEMENT: Why, this is a mere trick, a device; you are gulled in this most grossly, all!

Related Characters: Justice Clement (speaker), Kitely (speaker), Dame Kitely, Wellbred
Page Number and Citation: 90
Explanation and Analysis:
This conversation represents the beginning of the play’s somewhat artificial resolution, in which all conflicts are neatly explained away. As the characters assemble at Justice Clement’s house, he starts to hear the grievances, acting as a relatively cool head amidst all the confusion. His questions to Kitely and Dame Kitely, who in a recent both rushed to Cob’s house expecting to find the other committing adultery, quickly reveal the mischievous role that Wellbred has played in the proceedings. If they had stopped to talk to each other, instead of being so wrapped up in their foolish jealousies, they too might Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aper

Act 5, Scene 2 Quotes

JUSTICE CLEMENT: Nay, keep out, sir; I know not your pretence. You send me word, sir, you are a soldier: why, sir, you shall be answered, here, here be them that have been amongst soldiers. Sir, your pleasure.

BOBADIL: Faith, sir, so it is, this gentleman, and myself, have been most uncivilly wronged, and beaten, by one Downright, a coarse fellow, about the town, here, and for mine own part, I protest, being a man in no sort given to this filthy humour of quarrelling, he hath assaulted me in the way of my peace; despoiled me of mine honour; disarmed me of my weapons; and rudely, laid me along, in the open streets: when I not so much as once offered to resist him.

JUSTICE CLEMENT: Oh God's precious! Is this the soldier? Here, take my armour off quickly, ‘twill make him swoon, I fear; he is not fit to look on't, that will put up a blow.

Related Characters: Justice Clement (speaker), Captain Bobadil (speaker), Downright, Wellbred
Related Symbols: Swords
Page Number and Citation: 90-91
Explanation and Analysis:
This scene takes place when Bobadil and Matthew arrive at Justice Clement’s, hoping the judge will send Downright to prison for his acts of aggression. On hearing that a soldier has come to see him, Justice Clement comically prepares himself for a fight, thinking the soldier has a vendetta against him. Bobadil quickly demonstrates that he is not a fighting man, despite all of his fighting talk, and pleads with Clement to punish Downright like a child wronged by their sibling. Bobadil’s complaints against Downright portray him as distinctly unlike a brave soldier, proving the depth of his inauthenticity. Clement Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Q

Act 5, Scene 3 Quotes

JUSTICE CLEMENT: Why, Master Downright, are you such a novice, to be served, and never see the warrant?

DOWNRIGHT: Sir. He did not serve it on me.

JUSTICE CLEMENT: No? how then?

DOWNRIGHT: Marry, sir, he came to me, and said, he must serve it, and he would use me kindly, and so—

JUSTICE CLEMENT: Oh, God's pity, was it so, sir? He must serve it? Give me my longsword there, and help me off; so. Come on, sir varlet, I must cut off your legs, sirrah; nay, stand up, I'll use you kindly, I must cut off your legs, I say.

Related Characters: Justice Clement (speaker), Downright (speaker), Brainworm
Related Symbols: Swords
Page Number and Citation: 90-91
Explanation and Analysis:
This scene is part of Act 5’s conclusion of the play, which sees the various characters assemble for judgment from Justice Clement. Downright has just arrived, thinking he is under arrest—actually, he has been taken in by the disguised Brainworm. Downright didn’t actually see legal proof that he was to be arrested, taking the “serjeant” (Brainworm) at his word, suggesting that Downright is not quite as wise to the world as he might think. Justice Clement quibbles with the word “must,” which formed the basis of Downright’s willingness to be arrested. He mockingly pretends that he “must” cut Brainworm with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provi

And I will consider thee in another cup of sack. Here's to thee, which having drunk off this my sentence: Pledge me. Thou hast done, or assisted to nothing, in my judgment, but deserves to be pardon'd for the wit of the offence.

Related Characters: Justice Clement (speaker), Brainworm
Page Number and Citation: 94
Explanation and Analysis:
With Brainworm’s various disguises and deceptions quickly unravelling at Justice Clement’s house, Brainworm feels no choice but to reveal his true identity and hopefully avoid jail. The audience might reasonably expect the judge to punish Brainworm for his mischievous behavior, but the truth is quite the opposite. Clement is actually impressed by Brainworm’s actions, seeing in them great “wit;” he actually drinks a toast to Brainworm, celebrating what’s happened. Justice Clement, then, seems to have a taste for mischief too, especially when it is conducted ingeniously and serves a greater purpose. Brainworm’s deceptions have both drawn out the folly in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptate

Act 5, Scene 5 Quotes

EDWARD: We are the more bound to your humanity, sir.

JUSTICE CLEMENT: Only these two have so little of man in ‘em, they are no part of my care.

Related Characters: Edward Knowell (speaker), Justice Clement (speaker), Captain Bobadil , Master Matthew
Page Number and Citation: 95
Explanation and Analysis:
This quote comes as the play draws to a close. Edward has arrived at Justice Clement’s, now married to Mistress Bridget. He thanks Justice Clement for his decisions, which he feels represent “humanity.” That is, Clement is portrayed as being a fair voice of reason. Clement’s ultimate judgment is reserved for Captain Bobadil and Matthew, whose actions he is extremely disparaging about primarily because they have been self-serving and deeply inauthentic. But it’s not inauthenticity per se that so riles Clement: he enjoys hearing about Brainworm’s deceptions, which depended on the servant pretending be something—or various things—that is not. Clement Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptate

They are not born every year, as an alderman. There goes more to the making of a good poet, than a sheriff.

Related Characters: Justice Clement (speaker), Master Matthew
Related Symbols: Poetry
Page Number and Citation: 96
Explanation and Analysis:
This quote is part of Justice Clement’s closing remarks as he brings the play to an end, restoring a sense of peace and order to the other characters. It can be fairly interpreted as Ben Jonson’s own aphorism: that a good poet is a rare and precious thing. Implicitly, then, Matthew is criticized for having made a pretentious claim to his own poetic ability without putting in the hard work that accompanies good writing. The quote ties in with the prologue, which promised to bring Elizabethan London to life through the accurate deployment of its people’s language. This, of course, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusant

JUSTICE CLEMENT: Good complement! It will be their bridal night too. They are married anew. Come, I conjure the rest, to put off all discontent. You, master Downright, your anger; you, master Knowell, your cares; Master Kitely and his wife, their jealousy.

[…]

'Tis well, 'tis well! This night we'll dedicate to friendship, love, and laughter. Master bridegroom, take your bride and lead; everyone, a fellow. Here is my mistress, Brainworm! To whom all my addresses of courtship shall have their reference. Whose adventures, this day, when our grandchildren shall hear to be made a fable, I doubt not, but it shall find both spectators, and applause.

Related Characters: Justice Clement (speaker), Edward Knowell, Mistress Bridget, Old Knowell, Downright, Kitely, Dame Kitely, Brainworm, Cob, Tib
Page Number and Citation: 97
Explanation and Analysis:
These are the last words of the play and again belong to Justice Clement. Though he doesn’t feature until fairly late on in the action, he acts as an important figure: he is a mouthpiece for Jonson’s own judgments and the mechanism through which the play is brought to a close. Here, he quickly dispenses his thoughts about each character, pointing out their flaws and restoring them to their “true” selves—except, as the resolution of the ending feels quite forced, it is perhaps implied that there will again be a similar sequence of confusing and ridiculous events before too long. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfere
No matches.