Definition of Imagery
In Chapter 16, the narrator describes the Vale of Little Dairies as full of wide open spaces. This spatial imagery mirrors Tess's current journey—both physical and emotional—which, in her mind, will provide her with new opportunities and freedom:
[The Vale of Little Dairies] lacked the intensely blue atmosphere of the rival Vale, and its heavy soils and scents; the new air was clear, bracing, ethereal. The river itself, which nourished the grass and cows of these renowned dairies, flowed not like streams in Blackmoor. Those were slow, silent, often turbid; flowing over beds of mud into which the incautious wader might sink and vanish unawares. The Var waters were clear as the pure River of Life shown to the Evangelist.
In the following passage from Chapter 27, Angel catches Tess off-guard. The narrator uses a simile to liken Tess to a snake:
Unlock with LitCharts A+[Tess] had not heard [Angel] enter, and hardly realized his presence there. She was yawning, and he saw the red interior of her mouth as if it had been a snake’s. She had stretched one arm so high above her coiled-up cable of hair that he could see its satin delicacy above the sunburn.
The following descriptive passage appears in Chapter 34, immediately after Tess decides to finally disclose the details of her past to Angel:
Unlock with LitCharts A+A steady crimson glare from the now flameless embers painted the sides and back of the fireplace with its colour, and the well-polished andirons, and the old brass tongs that would not meet. The underside of the mantel-shelf was flushed with the blood-coloured light, and the legs of the table nearest the fire.