The Faerie Queene
The Faerie Queene
by Edmund Spenser
Themes and Colors
Virtue, Allegory, and Symbolism Theme Icon
British Identity and Nationalism Theme Icon
Protestantism Theme Icon
Deception and Lies Theme Icon
Love and Friendship Theme Icon
The Role of Women Theme Icon
LitCharts assigns a color and icon to each theme in The Faerie Queene, which you can use to track the themes throughout the work.
Protestantism Theme Icon
Protestantism Theme Icon

Though Edmund Spenser’s The Faerie Queene draws influences from a variety of different religious traditions—including the mythology of ancient Greece and Rome—it is also an unapologetic defense of Anglican Protestantism. Many of the book’s themes, like justice or friendship, are not necessarily religious, and others like holiness or chastity play a role in many different religions. Nevertheless, a close look at the events and characters in The Faerie Queene reveals that many of the villains in the story are specifically coded to represent real-world opponents to Protestantism.

On the one hand, there are the external threats to Protestantism, often referred to in the poem as “paynim” (pagans) or Saracen. Book I, for example, has the evil trio of Sansfoy, Sansloy, and Sansjoy who oppose the Redcross Knight and try to steal away his lady Una. Book II has Pyrochles and Cymochles, the pagan knights who quarrel with the noble Sir Guyon, attempting to steal his armor while he’s injured and refusing to change their ways even after being granted second chances. These characters are often explicitly or implicitly rendered as Muslim and sometimes originally hail from Persia, recalling battles between Christianity and Islam during the Crusades as well as in Spain in the fifteenth century. These characters are often irredeemably evil, with personalities that are greedy, violent, and unrepentant.

The other big threat to Protestantism explored in The Faerie Queene is internal: Catholicism. At the time of the poem’s publication, England was in a period of fierce religious conflict, with the Protestant Queen Elizabeth having recently dethroned and beheaded the Catholic Queen Mary. This conflict is re-enacted in Book V, when the merciful Queen Mercilla makes the difficult decision to punish Duessa, a false sorceress who led men astray by disguising herself as beautiful. The tricky Duessa could reflect the contemporary Protestant belief that while Catholic practices might appear outwardly beautiful, they were inwardly false and deceptive. While Spenser’s The Fairie Queene deals with big, universal themes about virtue, its specific depictions of other religions often reveal a preference for Protestant doctrine and, in doing so, sometimes reflect anti-Catholic and other common biases of the time.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Protestantism ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Protestantism appears in each book of The Faerie Queene. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
book length:
Book
Book I: Proem
1.P
Book I: Canto I
1.1
Book I: Canto II
1.2
Book I: Canto III
1.3
Book I: Canto IV
1.4
Book I: Canto V
1.5
Book I: Canto VI
1.6
Book I: Canto VII
1.7
Book I: Canto VIII
1.8
Book I: Canto IX
1.9
Book I: Canto X
1.10
Book I: Canto XI
1.11
Book I: Canto XII
1.12
Book II: Proem
2.P
Book II: Canto I
2.1
Book II: Canto II
2.2
Book II: Canto III
2.3
Book II: Canto IV
2.4
Book II: Canto V
2.5
Book II: Canto VI
2.6
Book II: Canto VII
2,7
Book II: Canto VIII
2.8
Book II: Canto IX
2.9
Book II: Canto X
2.10
Book II: Canto XI
2.11
Book II: Canto XII
2.12
Book III: Proem
3.P
Book III: Canto I
3.1
Book III: Canto II
3.2
Book III: Canto III
3.3
Book III: Canto IV
3.4
Book III: Canto V
3.5
Book III: Canto VI
3.6
Book III: Canto VII
3.7
Book III: Canto VIII
3.8
Book III: Canto IX
3.9
Book III: Canto X
3.10
Book III: Canto XI
3.11
Book III: Canto XII
3.12
Book IV: Proem
4.P
Book IV: Canto I
4.1
Book IV: Canto II
4.2
Book IV: Canto III
4.3
Book IV: Canto IV
4.4
Book IV: Canto V
4.5
Book IV: Canto VI
4.6
Book IV: Canto VII
4.6
Book IV: Canto VIII
4.8
Book IV: Canto IX
4.9
Book IV: Canto X
4.10
Book IV: Canto XI
4.11
Book IV: Canto XII
4.12
Book V: Proem
5.P
Book V: Canto I
5.1
Book V: Canto II
5.2
Book V: Canto III
5.3
Book V: Canto IV
5.4
Book V: Canto V
5.5
Book V: Canto VI
5.6
Book V: Canto VII
5.7
Book V: Canto VIII
5.8
Book V: Canto IX
5.9
Book V: Canto X
5.10
Book V: Canto XI
5.11
Book V: Canto XII
5.12
Book VI: Proem
6.P
Book VI: Canto I
6.1
Book VI: Canto II
6.2
Book VI: Canto III
6.3
Book VI: Canto IV
6.4
Book VI: Canto V
6.5
Book VI: Canto VI
6.6
Book VI: Canto VII
6.7
Book VI: Canto VIII
6.8
Book VI: Canto IX
6.9
Book VI: Canto X
6.10
Book VI: Canto XI
6.11
Book VI: Canto XII
6.12
Two Cantos of Mut...
M.6
Two Cantos of Mut...
M.7
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Protestantism Quotes in The Faerie Queene

Below you will find the important quotes in The Faerie Queene related to the theme of Protestantism.

Book I: Canto I Quotes

A Gentle Knight was pricking on the plaine,
Y clad in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many a bloudy fielde;

[…]

But on his brest a bloudie Crosse he bore,
The dear remembrance of his dying Lord,
For whose weete sake that glorious badge he wore,
And dead as living ever him ador’d:
Upon his shield the like was also scor’d

Related Characters: Redcross Knight
Related Symbols: Shields
Related Literary Devices:
Page Number and Citation: 41
Explanation and Analysis:

Book II: Canto I Quotes

His carriage was full comely and upright,
His countenance demure and temperate,
But yet so sterne and terrible in sight,
That cheard his friends, and did his foes amate:
He was an Elfin borne of noble state
[…]

Him als accopanyd upon the way
A comely Palmer, clad in blacke attire,
Of ripest years, and haries all hoarie gray

Related Characters: Acrasia, Sir Guyon, Gloriana (The Faerie Queene), The Palmer
Page Number and Citation: 206
Explanation and Analysis:

Book II: Canto VIII Quotes

There the good Guyon he found slumbring fast
In senseless dream; which sight at first him sore aghast.

Beside his head there sate a faire young man,
Of woundrous beautie, and of freshest years.

Related Characters: Sir Guyon, The Palmer, Mammon
Page Number and Citation: 298
Explanation and Analysis:

Book II: Canto X Quotes

After him Uther, which Pendragon hight,
Succeeding There abruptly did end

Related Characters: Sir Guyon, Arthur , Alma
Page Number and Citation: 345
Explanation and Analysis:

Book III: Proem Quotes

It falls me here to write of Chastity
That fairest virtue, farre above the rest;
For which what needs me fetch from Faery
Forreine ensamples, it to have exprest?
Sith it is shrined in my Soveraines brest

Related Characters: Narrator (speaker), Britomart
Related Literary Devices:
Page Number and Citation: 383
Explanation and Analysis:

Book III: Canto VIII Quotes

Now when the Beast, which by her wicked art
Late forth she sent, she backe returning spyde,
Tyde with her broken girdle, it a part
Of her rich spoyles, whom he had earst destroyd,
She weend, and woundrous gladnesse to her hart applyde.

Related Characters: Sir Satyrane, Marinell, Florimell, Venus
Related Symbols: Florimell’s Gold Belt
Page Number and Citation: 492
Explanation and Analysis:

Book III: Canto XII Quotes

But Britomart uprearing her from ground,
Said, Gentle Dame, reward enough I weene
For many labours more, then I have found,
This, that in safety now I have you seen,
And meane of your deliverance have beene

Related Characters: Britomart (speaker), Sir Scudamore, Amoretta (Amoret)
Page Number and Citation: 560
Explanation and Analysis:

Book IV: Canto I Quotes

Of lovers sad calamities of old,
Full many piteous stories doe remaine,
But none more piteous ever was ytold,
Then that of Amorets hart-binding chaine,
And this of Florimels unworthie paine

Related Characters: Narrator (speaker), Florimell, Marinell, Britomart, Sir Scudamore, Amoretta (Amoret)
Page Number and Citation: 383
Explanation and Analysis:

Book IV: Canto V Quotes

Then was that golden belt by doome of all
Graunted to her, as to the fairest Dame.
Which being brought, about her middle small
They thought to gird, as best it her became;
But by no meanes they could it thereto frame.

Related Characters: Florimell
Related Symbols: Florimell’s Gold Belt
Page Number and Citation: 624
Explanation and Analysis:

Book V: Canto I Quotes

And such was he, of whome I have to tell,
The Champion of true Justice Artegall.
Whom (as ye lately mote remember well)
An hard adventure, which did then befall,
Into redoubted perill forth did call.

Related Characters: Narrator (speaker), Britomart, Arthegall, Gloriana (The Faerie Queene)
Page Number and Citation: 727
Explanation and Analysis:

Book V: Canto VII Quotes

Where being layd, the wrothfull Britonesse
Stayd not, till she came to her selfe againe,
But in revenge both of her loves distresse,
And her late vile reproach, though vaunted vaine,
And also of her wound, which sore did paine,
She with one stroke both head and helmet cleft.

Related Characters: Britomart, Arthegall, Radigund
Page Number and Citation: 807
Explanation and Analysis:

Book V: Canto X Quotes

When they had seene and heard her doome a rights
Against Duessa, damned by them all;
But by her tempred without griefe or gall,
Till strong constraint did her thereto enforce.

Related Characters: Duessa, Mercilla, Arthegall
Page Number and Citation: 838
Explanation and Analysis:

Book VI: Canto XII Quotes

Ne may this homely verse, of many meanest,
Hope to escape his venomous despite,
More than my former writes, all were they clearest
From blamefull blot, and free from all that wite,
With which some wicked tongues did it backebite,
and bring into a mighty Peres displeasure,
That never so deserved to endite.
Therefore do you my rimes keep better measure,
And seeke to please, that now is counted wisemens threasure.

Related Characters: Narrator (speaker), The Blatant Beast
Page Number and Citation: 1023
Explanation and Analysis: