The Decameron

The Decameron


Giovanni Boccaccio

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Giovanni Boccaccio identifies the group of seven young women and three men who tell The Decameron’s tales as the lieta brigata, or “the happy band.” Once they have left their plague-ravaged city behind, they are indeed happy, exemplifying the qualities of young noblemen and women and engaging in noble recreations like feasting, dancing, and storytelling. While the introduction to Day 1 suggests that they are based on real people, the names and identities of the brigata’s members are drawn from literary or mythological sources, including some of Giovanni Boccaccio’s other works.

Brigata Quotes in The Decameron

The The Decameron quotes below are all either spoken by Brigata or refer to Brigata. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love and Sex Theme Icon
Day 1: Introduction Quotes

Swayed by this argument, and sparing no thought for anyone but themselves, large numbers of men and women abandoned their city, their homes, their relatives, their estates and belongings, and headed for the countryside, either in Florentine territory or, better still, abroad. It was as though they imagined that the wrath of God would not unleash this plague against men for their iniquities irrespective of where they happened to be, but would only be aroused against those who found themselves within the city walls; or possibly they assumed that the whole of the population would be exterminated and the city’s last hour had come.

Related Characters: Boccaccio (speaker)
Page Number: 8
Explanation and Analysis:

Accordingly, whether I am here in church or out in the streets or sitting at home, I always feel ill at ease, the more so because it seems to me that no one possessing private means and a place to retreat to is left here apart from ourselves. But even if such people are still to be found, they draw no distinction, as I have frequently seen and heard for myself, between what is honest and what is dishonest; and provided only that they are prompted by their appetites, they will do whatever affords them the greatest pleasure, whether by day or by night, alone or in company. It is not only of lay people that I speak, but also of those enclosed in monasteries, who, having convinced themselves that such behavior is suitable for them and is only unbecoming in others, having broken the rules of obedience and given themselves over to carnal pleasures, thereby thinking to escape and have turned lascivious and dissolute.

Related Characters: Pampinea (speaker)
Page Number: 15
Explanation and Analysis:

It is not our foresight, ladies, but rather your own good sense, that has led us to this spot. I know not what you intend to do with your troubles; my own I left inside the city gates when I departed thence a short while ago in your company. Hence you may either prepare to join with me in as much laugher, song, and merriment as your sense of decorum will allow, or else you may give me leave to go back for my troubles and live in the afflicted city.

Related Characters: Dioneo (speaker)
Page Number: 20
Explanation and Analysis:
Day 2: Third Tale Quotes

The whole company, men and ladies alike, listened with admiration to the adventures of Rinaldo d’Asti, commending his piety and giving thanks to God and Saint Julian, who had come to his rescue in the hour of his greatest need. Nor, moreover, was the lady considered to have acted foolishly (even though nobody openly said so) for the way she had accepted the blessing that God had left on her doorstep. And while everyone was busy talking, with half-suppressed mirth, about the pleasant night the lady had spent, Pampinea […] started planning what to say.

Related Characters: Pampinea, Filostrato, Rinaldo d’Asti, Lady of Guiglielmo Fortress
Page Number: 82-83
Explanation and Analysis:
Day 2: Conclusion Quotes

Come, Love, the cause of all my joy,
Of all my hope and happiness,
Come let us sing together:
Not of love’s sighs and agony
But only of its jocundness
And its clear-burning ardour
In which I revel, joyfully,
As if thou were a god to me.

Love, the first day I felt thy fire
Thou sett’st before mine eyes a youth
Of such accomplishment
Whose able strength and keen desire
And bravery could none, in truth,
Find any complement.
With thee I sing, Lord Love, of this,
So much with him lies all my bliss.

Related Characters: Pampinea (speaker)
Page Number: 188
Explanation and Analysis:
Day 3: Conclusion Quotes

“Now we shall discover whether the wolf can fare any better at leading the sheep than the sheep have fared in leading the wolves.”

On hearing this, Filostrato laughed and said: “Had you listened to me, the wolves would have taught the sheep by now to put the devil back in Hell, no less skillfully than Rustico taught Alibech. But you have not exactly been behaving like sheep, and therefore you must not describe us as wolves…”

“Allow me to tell you, Filostrato,” replied Neifile, “that if you men had tried to teach us anything of the sort, you might have learned some sense from us, as Masetto did from the nuns, and retrieved the use of your tongues when your bones were rattling from exhaustion.”

On perceiving that the ladies had as many scythes as he had arrows, Filostrato abandoned his jesting and turned to the business of ruling his kingdom.

Related Characters: Neifile (speaker), Filostrato (speaker), Masetto, Young Nuns, Alibech, Rustico
Page Number: 280
Explanation and Analysis:
Day 5: Fourth Tale Quotes

When there was no longer any sound to be heard, Ricciardo climbed over a wall with the aid of a ladder, then climbed up to the side of the house by clinging with great difficulty to a series of stones projecting from the wall. At every moment of the ascent, he was in serious danger of falling, but in the end he reached the balcony unscathed, where he was silently received by the girl with very great rejoicing. After exchanging many kisses, they lay down together and for virtually the entire night they had delight and joy of one another, causing the nightingale to sing at frequent intervals.

Related Characters: Filostrato (speaker), Caterina, Ricciardo de’ Manardi
Page Number: 396
Explanation and Analysis:
Day 6: First Tale Quotes

Whereupon this worthy knight, whose swordplay was doubtless on par with his storytelling, began to recite his tale, which in itself was indeed excellent. But by constantly repeating the same phrases, and recapitulating sections of the plot, and every so often declaring that he had ‘made a mess of that bit,’ and regularly confusing the characters, he ruined it completely. Moreover, his mode of delivery was completely out of keeping with the characters and the incidents he was describing, so that it was painful for Madonna Oretta to listen to him. She began to perspire freely, and her heart missed several beats, as though she had fallen ill and was about to give up the ghost.

Related Characters: Filomena (speaker), Madonna Oretta
Page Number: 447
Explanation and Analysis:
Day 9: Fifth Tale Quotes

Hence, albeit we have referred many times to the doings of Calandrino, they are invariably so amusing, as Filostrato pointed out a little earlier, that I shall venture to add a further tale to those we have already heard about him. I could easily have told it in some other way, using fictitious names, had I wished to do; but since by departing from the truth of what actually happened, the storyteller greatly diminishes the pleasure of his listeners, I shall turn for support to my opening remarks, and tell it in its proper form.

Related Characters: Fiammetta (speaker), Filostrato, Calandrino
Page Number: 669
Explanation and Analysis:
Day 9: Ninth Tale Quotes

Lovable ladies, if the order of things is impartially considered, it will quickly be apparent that the vast majority of women are through Nature and custom, as well as in law, subservient to men, by whose opinions their conduct and actions are bound to be governed. It therefore behooves any woman who seeks a calm, contented, and untroubled life with her menfolk, to be humble, patient, and obedient, besides being virtuous, a quality that every judicious woman considers her especial and most valuable possession.

Related Characters: Emilia (speaker)
Page Number: 689-690
Explanation and Analysis:
Day 10: Third Tale Quotes

Fear me not, then, and rest assured that in view of the loftiness of your motives, no other living person loves you as greatly as I, for you do not devote your energies to the accumulation of riches, as misers do, but to spending what you have amassed. Nor should you feel ashamed for having wanted to kill me to acquire fame, or imagine that I marvel to hear it. In order to extend their dominions, and hence their fame, the mightiest emperors and greatest kings have practiced virtually no other art than that of killing, not just one person as you intended, but countless thousands, setting whole provinces ablaze and razing whole cities to the ground.

Related Characters: Nathan (speaker), Filostrato, Mithridanes
Page Number: 716
Explanation and Analysis:
Day 10: Eighth Tale Quotes

Friendship, then, is a most sacred thing, not only worthy of singular reverence, but eternally to be praised as the deeply discerning mother of probity and munificence, the sister of gratitude and charity, and the foe of hatred and avarice, ever ready, without waiting to be asked, to do virtuously unto others that which it would wish to be done unto itself. But very seldom in this day and age do we find two persons in whom its hallowed effects may be seen, this being the fault of men’s shameful and miserly greed, which, being solely concerned with seeking its own advantage, has banished friendship to perpetual exile beyond earth’s farthest limits.

Related Characters: Filomena (speaker), Titus Quintus Fulvius, Gisippus
Page Number: 763
Explanation and Analysis:
Day 10: Conclusion Quotes

For as far as I have been able to observe, albeit the tales related here have been amusing, perhaps of a sort to stimulate carnal desire, and we have continually partaken of excellent food and drink, played music, and sung many songs, all of which may encourage unseemly behavior among those who are of feeble mind, neither in word nor in deed nor in any other respect have I known either you or ourselves to be worthy of censure. On the contrary, from what I have seen and heard, it seems to me that our proceedings have been marked by a constant sense of propriety, an unfailing spirit of harmony, and a continual feeling of brotherly and sisterly amity. All of which pleases me greatly, as it surely redounds to our communal honor and credit.

Related Characters: Panfilo (speaker)
Page Number: 795-796
Explanation and Analysis:
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Brigata Term Timeline in The Decameron

The timeline below shows where the term Brigata appears in The Decameron. The colored dots and icons indicate which themes are associated with that appearance.
Day 6: Introduction
Moderation and Excess Theme Icon
In the morning, the members of the brigata wander the gardens and fields, talking about previous days’ tales. After breakfast, some nap, others... (full context)