The Decameron

The Decameron

by

Giovanni Boccaccio

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Themes and Colors
Love and Sex Theme Icon
Men and Women Theme Icon
Moderation and Excess Theme Icon
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Men and Women Theme Icon

Although Boccaccio dedicates The Decameron to women, who make up the majority of the brigata (the ten storytellers) and are the protagonists of many of its tales, the book’s outlook is decidedly patriarchal and even directly anti-woman. In general, the tales’ women are assigned negative character traits, objectified by the men around them, and find themselves vulnerable to physical and emotional violence.

The Decameron aligns with medieval gender hierarchies that place men over women. Filomena worries about needing male guidance in the countryside; Lauretta claims that women are more wrathful than men; and Emilia says that nature and custom subject them to male authority. Many of the tales highlight supposedly “feminine” vices. Monna Lisetta, Paolo’s Daughter, and Elena are mocked or punished for their vanity. Disobedient wives face violence: Margarita from a wolf, and Joseph’s Wife from her husband. And many women, from the Country Girl to the Lady of Guiglielmo Fortress to Abbess Usimbalda, demonstrate the excessive lust ascribed to women in the Middle Ages. Moreover, outstanding women are often praised in masculine terms: Ghismonda and Roussilon’s Wife demonstrate virile (male) courage in their suicides, and Adalieta has a “princely” spirit. Perceived female inferiority also leads to objectification, of which Alatiel is the clearest example; she is repeatedly stolen and passed from one lover to another. Women’s bodies can enhance political alliances—the Tunisian Princess is betrothed to her father’s ally, and the pirates who kidnap Restituta give her as a “gift” to King Frederick—or personal ones, as when Gisippus gives his fiancée to his best friend.

And, thanks to male cultural dominance, women’s sexual autonomy and physical safety are frequently endangered in the tales. Many are raped, violently or through trickery: the Gascon Noblewoman, Alatiel by the Duke of Athens, and Catella by Ricciardo Minutolo. Others are coerced into sexual relationships: judges attempt to extort sex from Andreuola, Simona, Maddalena, and the Trusted Maid. Elena suffers verbal abuse and physical punishment as “justice” for snubbing and tricking Rinieri. Joseph, Calandrino, and Arriguccio all beat their women for various reasons. Madonna Filippa faces a death sentence for adultery but escapes it; others are not so lucky. Soldiers kill the Tunisian Princess rather than hand her over to Gerbino; Tancredi drives his daughter Ghismonda and Roussillon drives his wife to suicide by killing their lovers. Thus, despite his often-repeated claims to love and cherish ladies, The Decameron displays a decidedly anti-woman bent.

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Men and Women Quotes in The Decameron

Below you will find the important quotes in The Decameron related to the theme of Men and Women.
Day 1: Introduction Quotes

For not only did people die without having many women about them, but a great number departed this life without anyone at all to witness their going. Few indeed were those to whom the lamentations and bitter tears of their relatives were accorded; on the contrary, more often than not bereavement was the signal for laugher and witticisms and general jollification—the art of which the women, having for the most part suppressed their feminine concern for the salvation of the souls of the dead, had learned to perfection.

Related Characters: Boccaccio (speaker)
Page Number: 10
Explanation and Analysis:

Accordingly, whether I am here in church or out in the streets or sitting at home, I always feel ill at ease, the more so because it seems to me that no one possessing private means and a place to retreat to is left here apart from ourselves. But even if such people are still to be found, they draw no distinction, as I have frequently seen and heard for myself, between what is honest and what is dishonest; and provided only that they are prompted by their appetites, they will do whatever affords them the greatest pleasure, whether by day or by night, alone or in company. It is not only of lay people that I speak, but also of those enclosed in monasteries, who, having convinced themselves that such behavior is suitable for them and is only unbecoming in others, having broken the rules of obedience and given themselves over to carnal pleasures, thereby thinking to escape and have turned lascivious and dissolute.

Related Characters: Pampinea (speaker)
Page Number: 15
Explanation and Analysis:

It is not our foresight, ladies, but rather your own good sense, that has led us to this spot. I know not what you intend to do with your troubles; my own I left inside the city gates when I departed thence a short while ago in your company. Hence you may either prepare to join with me in as much laugher, song, and merriment as your sense of decorum will allow, or else you may give me leave to go back for my troubles and live in the afflicted city.

Related Characters: Dioneo (speaker)
Page Number: 20
Explanation and Analysis:
Day 1: Fourth Tale Quotes

One day, about noon, when all the other monks were asleep, he chanced to be taking a solitary stroll round the walls of the monastery, which lay in a very lonely spot, when his eyes came to rest on a strikingly beautiful girl, perhaps some local farmhand’s daughter, who was going about the fields collecting wild herbs. No sooner did he see her than he was fiercely assaulted by carnal desire.

Related Characters: Dioneo (speaker), Young Monk, The Country Girl, Tuscan Abbot
Page Number: 45
Explanation and Analysis:

The girl, who was not exactly made of iron or of flint, fell in very readily with the Abbot’s wishes. He took her in his arms and kissed her a few times, then lowered himself on to the monk’s little bed. But out of regard, perhaps, for the weight of his reverend person and the tender age of the girl, and not wishing to do her any injury, he settled down beneath her instead of lying on top, and in this way he sported with her at considerable length.

Related Characters: Dioneo (speaker), Tuscan Abbot, The Country Girl, Young Monk
Page Number: 45
Explanation and Analysis:
Day 1: Fifth Tale Quotes

Whereas men, if they are very wise, will always seek to love ladies of higher station than their own, women, if they are very discerning, will know how to guard against accepting the advances of a man who is of more exalted rank. For which reasons, and also because of the pleasure I feel at our having, through stories, begun to demonstrate the power of good repartee, I have been prompted to show you, fair ladies, in the story I have to tell, how through her good words and actions a gentlewoman avoided this pitfall and guided her suitor clear of its dangers.

Related Characters: Fiammetta (speaker)
Page Number: 49
Explanation and Analysis:

Being an intelligent and judicious woman, she sent back a message to say that she was glad to have been singled out for this uniquely great favor, and that the king would be very welcome. She then began to wonder why such a great king should be calling upon her in her husband’s absence. Nor was she wrong in the conclusion that she reached, namely, that he was being drawn thither by the fame of her beauty. Nevertheless, with her habitual nobility of spirit she made ready to entertain him[.]

Related Characters: Fiammetta (speaker), Marchioness of Montferrat, King Philip II
Page Number: 49-50
Explanation and Analysis:
Day 1: Tenth Tale Quotes

Just as the sky, worthy ladies, is bejewelled with stars on cloudless nights, and the verdant fields are embellished with flowers in the spring, so good manners and pleasant converse are enriched by shafts of wit. These, being brief, are much better suited to women than to men, as it is more unseemly for a woman to speak at inordinate length, when this can be avoided, than it is for a man. Yet nowadays, to the universal shame of ourselves and all living women, few or none of the women who are left can recognize a shaft of wit when they hear one, or reply to it even if they recognize it. For this special skill, which once resided in a woman’s very soul, has been replaced in our modern women by the adornment of the body. She who sees herself tricked out in the most elaborate finery, believes that she should be much more highly respected and more greatly honored than other women, forgetting that if someone were to dress an ass in the same clothes or simply load them on its back, it could still carry a great deal more than she could, nor would this be any reason for paying it greater respect than you would normally accord to an ass.

Related Characters: Pampinea (speaker)
Page Number: 63
Explanation and Analysis:
Day 2: Third Tale Quotes

The whole company, men and ladies alike, listened with admiration to the adventures of Rinaldo d’Asti, commending his piety and giving thanks to God and Saint Julian, who had come to his rescue in the hour of his greatest need. Nor, moreover, was the lady considered to have acted foolishly (even though nobody openly said so) for the way she had accepted the blessing that God had left on her doorstep. And while everyone was busy talking, with half-suppressed mirth, about the pleasant night the lady had spent, Pampinea […] started planning what to say.

Page Number: 82-83
Explanation and Analysis:
Day 2: Seventh Tale Quotes

When he learnt about the circumstances of her arrival in the city, he saw no reason why he should not be able to have her. And indeed, once the wounded man’s relatives discovered that the Prince was putting out inquiries, they promptly sent her off to him without asking any questions. The prince was highly delighted, but so also was the lady, who considered that she had now escaped from a most dangerous situation. On finding that she was endowed with stately manners as well as beauty, the Prince calculated, since he could obtain no other clue to her identity, that she must be a woman of gentle birth, and his love for her was accordingly redoubled. And not only did he keep her in splendid style, but he treated her as though she were his wife rather than his mistress.

Related Characters: Panfilo (speaker), Alatiel , Prince of Morea, The Young Masters
Related Symbols: Fortune
Page Number: 133
Explanation and Analysis:
Day 2: Eighth Tale Quotes

Sweet friend and master, dearest one of all, since you are wise you will readily acknowledge that men and women are remarkably frail, and that, for a variety of reasons, some are frailer than others. It is therefore right and proper that before an impartial judge, people of different social rank should not be punished equally for committing an identical sin. For nobody would, I think, deny that if a member of the poorer classes, obliged to earn a living through manual toil, were to surrender blindly to the promptings of love, he or she would be far more culpable than a rich and leisured lady who lacked none of the necessary means to gratify her tiniest whim.

Related Characters: French Princess (speaker), Walter, Elissa
Page Number: 150
Explanation and Analysis:
Day 3: Second Tale Quotes

On hearing these words, the King immediately came to the conclusion that the Queen had been taken in by an outward resemblance to his own physique and manner. But he was a wise man, and since neither the Queen nor anybody else appeared to have noticed the deception, he had no hesitation in deciding to keep his own counsel. Many a stupid man would have reacted differently, and exclaimed “It was not I. Who was the man who was here? What happened? Who was it who came?” But this would only have led to complications, upsetting the lady when she was blameless and sowing the seeds of a desire, on her part, to repeat the experience. And besides, by holding his tongue his honor remained unimpaired, whereas if he were to talk he would make himself look ridiculous.

Related Characters: Pampinea (speaker), Agilulf, Theodelinda, Groom
Page Number: 202-203
Explanation and Analysis:
Day 3: Fourth Tale Quotes

Friar Puccio thought he could detect a certain amount of vibration in the floorboards. When […] he had recited a hundred of his paternosters […] without leaving his post, he called out to his wife and demanded to know what she was doing.

His wife […] who at that moment was possibly riding bareback astride the nag of Saint Benedict or Saint John Gaulbert, replied:

‘Heaven help me, dear husband, I am shaking like mad.’

‘Shaking? … What is the meaning of all this shaking?’

His wife shrieked with laughter […] ‘What,’ she replied, ‘You don’t know its meaning? Haven’t I heard you saying, hundreds of times: “He that supper doth not take, in his bed all night will shake”?’

[…]

‘Wife,’ he replied […] ‘I told you not to fast, but you would insist. Try not to think about it. Try and go to sleep.’

Related Characters: Panfilo (speaker), Friar Puccio, Monna Isabetta, Dom Felice
Page Number: 220
Explanation and Analysis:
Day 3: Fifth Tale Quotes

Dearest beloved, since I am yours and you alone have the power to fortify my soul with some vestige of hope as I languish in the fiery flames of love, I beseech you, as your most humble servant, to show me some mercy and mitigate the harshness you have been wont to display towards me in the past. Your compassion will console me, enabling me to claim that it is to your beauty that I owe, not only my love, but also my very life, which will assuredly fail unless your proud spirit yields to my entreaties, and then indeed people will be able to say that you have killed me. Now, leaving aside the fact that my death would not enhance your reputation, I believe, also, that your conscience would occasionally trouble you and you would be sorry for having been the cause of it.

Related Characters: Zima (speaker), Francesco’s Wife, Francesco Vergellesi
Page Number: 224
Explanation and Analysis:
Day 3: Conclusion Quotes

“Now we shall discover whether the wolf can fare any better at leading the sheep than the sheep have fared in leading the wolves.”

On hearing this, Filostrato laughed and said: “Had you listened to me, the wolves would have taught the sheep by now to put the devil back in Hell, no less skillfully than Rustico taught Alibech. But you have not exactly been behaving like sheep, and therefore you must not describe us as wolves…”

“Allow me to tell you, Filostrato,” replied Neifile, “that if you men had tried to teach us anything of the sort, you might have learned some sense from us, as Masetto did from the nuns, and retrieved the use of your tongues when your bones were rattling from exhaustion.”

On perceiving that the ladies had as many scythes as he had arrows, Filostrato abandoned his jesting and turned to the business of ruling his kingdom.

Related Characters: Filostrato (speaker), Neifile (speaker), Rustico, Alibech, Young Nuns, Masetto
Page Number: 280
Explanation and Analysis:
Day 4: Introduction Quotes

Am I to be abused by these people, then am I to be mauled and mangled for liking you and striving to please you, when Heaven has given me a body with which to love you and when my soul has been pledged to you since childhood because of the light that gleams in your eyes, the honeyed sounds that issue from your lips, the flames that are kindled by your sighs of tender compassion? […] it is perfectly clear that those who criticize me on these grounds are people who, being ignorant of the strength and pleasure of natural affection, neither love you nor desire your love, and they are not worth bothering about.

Related Characters: Boccaccio (speaker)
Page Number: 288
Explanation and Analysis:
Day 4: First Tale Quotes

Save those tears of yours for a less coveted fate than this of mine, Tancredi, and shed them not for me, for I do not want them. Who ever heard of anyone, other than yourself, who wept on achieving his wishes? But if you still retain some tiny spark of your former love for me, grant me one final gift, and since it displeased you that I should live quietly with Guiscardo in secret, see that my body is publicly laid to rest beside his in whatever spot you choose to cast his remains.

Related Characters: Ghismonda (speaker), Tancredi, Guiscardo
Page Number: 301
Explanation and Analysis:
Day 5: First Tale Quotes

On catching sight of this vision, Cimon stopped dead in his tracks, and […] began to stare at her, rapt in silent admiration, as though he had never before set eyes upon the female form. And deep within his uncouth breast, which despite a thousand promptings had remained closed to every vestige of refined sentiment, he sensed the awakening of a certain feeling which told his crude, uncultured mind that this girl was the loveliest object that any mortal being had ever seen […] Having suddenly been transformed from a country bumpkin into a connoisseur of beauty, he longed to be able to see her eyes, but they were closed in heavy slumber.

Related Characters: Panfilo (speaker), Cimon, Iphigenia
Page Number: 358
Explanation and Analysis:

Leaving the house full of blood, tumult, tears, and sadness, they made their way unimpeded to the ship, keeping close together and carrying their spoils before them. Having handed the ladies aboard, Cimon and Lysimachus followed with their comrades just as the shore began to fill with men who were coming to the rescue of the two ladies. But they plied their oars with a will, and made good their escape.

Related Characters: Panfilo (speaker), Cimon, Lysimachus, Iphigenia, Cassandra, Pasimondas, Ormisdas
Page Number: 378
Explanation and Analysis:
Day 5: Ninth Tale Quotes

You are to know, then, that Coppo di Borghese Domenichi, who once used to live in our city and possibly lives there still, one of the most highly respected men of our century, a person worthy of eternal fame, who achieved his position of pre-eminence by dint of his character and abilities rather than by his noble lineage, frequently took pleasure in his declining years in discussing incidents from the past with his neighbors and other folk. In this pastime he excelled all others, for he was far more coherent, possessed a superior memory, and spoke with greater eloquence.

Related Characters: Fiammetta (speaker), Coppo di Borghese Domenichi, Boccaccio
Page Number: 425-426
Explanation and Analysis:
Day 6: First Tale Quotes

Whereupon this worthy knight, whose swordplay was doubtless on par with his storytelling, began to recite his tale, which in itself was indeed excellent. But by constantly repeating the same phrases, and recapitulating sections of the plot, and every so often declaring that he had ‘made a mess of that bit,’ and regularly confusing the characters, he ruined it completely. Moreover, his mode of delivery was completely out of keeping with the characters and the incidents he was describing, so that it was painful for Madonna Oretta to listen to him. She began to perspire freely, and her heart missed several beats, as though she had fallen ill and was about to give up the ghost.

Related Characters: Filomena (speaker), Madonna Oretta
Page Number: 447
Explanation and Analysis:
Day 7: Fifth Tale Quotes

And so it was that the jealous wretch, having thought himself very clever in ferreting out his wife’s secret, saw that he had made an ass of himself. Without saying anything by way of reply, he began to look on his wife as a model of intelligence and virtue. And just as he had worn the mantle of the jealous husband when it was unnecessary, he cast it off completely now that his need for it was paramount. So his clever little wife, having, as it were, acquired a license to enjoy herself, no longer admitted her lover by way of the roof as though he were some kind of cat, but showed him in at the front door. And from that day forth, by proceeding with caution, she spent many an entertaining and delightful hour in his arms.

Related Characters: Fiammetta (speaker), Jealous Merchant, Jealous Merchant’s Wife
Page Number: 513
Explanation and Analysis:
Day 8: Fourth Tale Quotes

“Heaven be praised!” said the Provost, who could scarce contain his joy. “To tell you the truth, madam, I am amazed that you should have held out for so long, seeing that this has never happened to me with any woman before. And in fact, I have sometimes had occasion to reflect, that if women were made of silver you couldn’t turn them into coins, as they bend too easily. But no more of this, when and where can we be together?”

Related Characters: Provost (speaker), Emilia, Piccarda
Page Number: 571
Explanation and Analysis:
Day 8: Seventh Tale Quotes

But even supposing I were a charitable man, you are not the sort of woman who deserves to be treated with charity. For a savage beast of your sort, death is the only fit punishment, the only just revenge, though admittedly, had I been dealing with a human being I should already have done enough […] I intend to harry you with all the hatred and all the strength of a man who is fighting his oldest enemy.

...it was not for lack of trying that you failed to murder a gentleman (as you called me just now), who can bring more benefit to humanity in a single day than a hundred thousand women of your sort can bring to it for as long as the world shall last.

Related Characters: Rinieri (speaker), Elena
Page Number: 600
Explanation and Analysis:

And even supposing that all my little schemes had failed, I should still have had my pen, with which I should have lampooned you so mercilessly, and with so much eloquence, that when my writings came to your notice (as they certainly would), you would have wished, a thousand times a day, that you had never been born.

The power of the pen is far greater than people suppose who have not proved it by experience. I swear to God […] that you yourself, to say nothing of others, would have been so mortified by the things I had written that you would have put out your eyes rather than look upon yourself ever again.

Related Characters: Rinieri (speaker), Elena
Page Number: 602
Explanation and Analysis:
Day 9: Ninth Tale Quotes

Lovable ladies, if the order of things is impartially considered, it will quickly be apparent that the vast majority of women are through Nature and custom, as well as in law, subservient to men, by whose opinions their conduct and actions are bound to be governed. It therefore behooves any woman who seeks a calm, contented, and untroubled life with her menfolk, to be humble, patient, and obedient, besides being virtuous, a quality that every judicious woman considers her especial and most valuable possession.

Related Characters: Emilia (speaker)
Page Number: 689-690
Explanation and Analysis:

I repeat, therefore, that in my judgement, all those women should be harshly and rigidly punished, who are other than agreeable, kindly, and compliant, as required by Nature, usage, and law.

Hence I should like to acquaint you with a piece of advice that was once proffered by Solomon, for it is a useful remedy in treating those who are afflicted by the malady of which I have spoken. It should not be thought that his counsel applies to all women, regardless of whether they require such a remedy, although men have a proverb which says: ‘For a good horse and a bad, spurs are required; for a good woman and a bad, the rod is required.’ Which words, being frivolously interpreted, all women would readily concede to be true: but I suggest that even in their moral sense they are no less admissible.

Related Characters: Emilia (speaker)
Page Number: 690
Explanation and Analysis: