The Decameron

The Decameron


Giovanni Boccaccio

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Class and Character Theme Analysis

Themes and Colors
Love and Sex Theme Icon
Men and Women Theme Icon
Moderation and Excess Theme Icon
Intelligence Theme Icon
Class and Character Theme Icon
Faith vs. Religion Theme Icon
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Class and Character Theme Icon

The members of the brigata, the ten young people who tell The Decameron’s tales while waiting out the plague in the countryside surrounding Florence, are all aristocratic. In contrast, many of the tales’ characters are middle-class merchants, doctors, lawyers, and artists; some are peasants and servants. This mix of social classes allows The Decameron to claim that character is a better indication of nobility than wealth or status. While some characters are consigned to the roles of servants or country bumpkins, for the most part, the tales demonstrate a surprising degree of fluidity and social mobility.

Some characters demonstrate noble character despite impoverishment or ill fortune. Several orphans, like Guisfredi (Giannotto) and Teodoro (Pietro) are captured and sold into slavery, but their noble behavior eventually betrays their true identities. Aristocratic gentleman Federigo retains his noble manners even after he spends his fortune; when Monna Giovanna finally agrees to marry him, it’s because she’d rather have a gentleman without riches than riches without a gentleman. And even when Walter, Count of Antwerp, disguises his children as vagrants, the inherent nobility of Perrot (Louis) and Jeannette (Violante) attracts the attention of noble patrons and eventually earns each child a noble spouse.

And in other tales, true nobility of character shines through regardless of a person’s external circumstances. Simona and her boyfriend Pasquano are the first working-class lovers in Western tragic literature, and they are rewarded with a lover’s tomb and eternal fame. Martuccio Gomito becomes a pirate to earn enough money to marry Gostanza; after being captured, he becomes an indispensable advisor to Mulay Abd Allah, the Tunisian King. The hospitality of middle-class Florentine baker Cisti is more gracious than that of nobleman Geri Spina. Ghismonda loves her father’s valet, Giancarlo, because of a sterling character that belies his lowly status. And sometimes, a noble character eventually gains a noble title, as when Gilette wins the right to marry Bertrand, Count of Roussillon, or when Lisa’s courtly love for King Peter earns her a noble husband and great riches. Throughout, the tales prove Ghismonda’s claim that Fortune blindly makes individuals rich or poor, while manners and merit determine whether they ought to be called noble or base.

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Class and Character Quotes in The Decameron

Below you will find the important quotes in The Decameron related to the theme of Class and Character.
Day 1: Fifth Tale Quotes

Whereas men, if they are very wise, will always seek to love ladies of higher station than their own, women, if they are very discerning, will know how to guard against accepting the advances of a man who is of more exalted rank. For which reasons, and also because of the pleasure I feel at our having, through stories, begun to demonstrate the power of good repartee, I have been prompted to show you, fair ladies, in the story I have to tell, how through her good words and actions a gentlewoman avoided this pitfall and guided her suitor clear of its dangers.

Related Characters: Fiammetta (speaker)
Page Number: 49
Explanation and Analysis:
Day 2: First Tale Quotes

Meanwhile, with the matter proceeding along these lines, word had reached Marchese and Stecchi that the judge was giving him a rough handling and had already put him on the strappado. “We have made a fine mess of things,” they said, shaking with fright. “We have taken him out of the frying-pan and dropped him straight in the fire.” Being determined to leave no stone unturned, they tracked down their landlord, and explained to him what had happened. The landlord, who was highly amused at their tale, took them to see a man called Sandro Agolanti, a Florentine living in Treviso who had considerable influence with the ruler of the city.

Related Characters: Neifile (speaker), Martellino, Stecchi, Marchese, Sandro Agolanti
Related Symbols: Fortune
Page Number: 75
Explanation and Analysis:
Day 2: Fifth Tale Quotes

Nature demanded that he should relieve his belly, which was inordinately full, so he asked […] where he could do it, and the boy showed him a door in one of the corners of the room […] Andreuccio passed jauntily through, and chanced to step on to a plank, which came away at its other end from the beam on which it was resting, so that it flew up in the air and fell into the lower regions, taking Andreuccio with it. Although he had fallen from a goodly height, he mercifully suffered no injury; but he got himself daubed from head to foot in the filthy mess with which the place was literally swimming.

Related Characters: Fiammetta (speaker), Andreuccio di Pietro, Sicilian Woman
Related Symbols: Fortune
Page Number: 103
Explanation and Analysis:
Day 2: Seventh Tale Quotes

When he learnt about the circumstances of her arrival in the city, he saw no reason why he should not be able to have her. And indeed, once the wounded man’s relatives discovered that the Prince was putting out inquiries, they promptly sent her off to him without asking any questions. The prince was highly delighted, but so also was the lady, who considered that she had now escaped from a most dangerous situation. On finding that she was endowed with stately manners as well as beauty, the Prince calculated, since he could obtain no other clue to her identity, that she must be a woman of gentle birth, and his love for her was accordingly redoubled. And not only did he keep her in splendid style, but he treated her as though she were his wife rather than his mistress.

Related Characters: Panfilo (speaker), Alatiel , The Young Masters, Prince of Morea
Related Symbols: Fortune
Page Number: 133
Explanation and Analysis:
Day 2: Eighth Tale Quotes

Sweet friend and master, dearest one of all, since you are wise you will readily acknowledge that men and women are remarkably frail, and that, for a variety of reasons, some are frailer than others. It is therefore right and proper that before an impartial judge, people of different social rank should not be punished equally for committing an identical sin. For nobody would, I think, deny that if a member of the poorer classes, obliged to earn a living through manual toil, were to surrender blindly to the promptings of love, he or she would be far more culpable than a rich and leisured lady who lacked none of the necessary means to gratify her tiniest whim.

Related Characters: French Princess (speaker), Elissa, Walter
Page Number: 150
Explanation and Analysis:

But knowing her to be a woman of gentle birth, doing penance for another’s sin through no fault of her own, the Lord above, who rewards all according to their deserts, arranged matters otherwise. One must in fact conclude that He alone, out of His loving kindness, made possible the train of events which followed, in order to prevent this nobly-born maiden from falling into the hands of a commoner.

Related Characters: Elissa (speaker), Walter, French Princess, Jeannette (Violante), Jacques Lamiens
Related Symbols: Fortune
Page Number: 154
Explanation and Analysis:

The doctor was holding [Jacques] by the wrist, taking his pulse, when Jeannette […] entered the room in which the youth was laying. When he saw her coming in, the flames of passion flared up in the young man’s breast, and although he neither spoke nor moved, his pulse began to beat more strongly. The doctor noted this at once, but concealing his surprise, he remained silent, waiting to see how long his pulse would continue to beat so rapidly.

As soon as Jeannette left the room, the young man’s pulse returned to normal […] [The doctor] waited for a while, and then, still holding the patient by the wrist, he sent for Jeannette […] and no sooner did she enter the room than the youth’s pulse began to race all over again: and when she departed, it subsided.

Related Characters: Elissa (speaker), Boccaccio, Jeannette (Violante), Jacques Lamiens
Page Number: 155
Explanation and Analysis:
Day 2: Conclusion Quotes

Come, Love, the cause of all my joy,
Of all my hope and happiness,
Come let us sing together:
Not of love’s sighs and agony
But only of its jocundness
And its clear-burning ardour
In which I revel, joyfully,
As if thou were a god to me.

Love, the first day I felt thy fire
Thou sett’st before mine eyes a youth
Of such accomplishment
Whose able strength and keen desire
And bravery could none, in truth,
Find any complement.
With thee I sing, Lord Love, of this,
So much with him lies all my bliss.

Related Characters: Pampinea (speaker)
Page Number: 188
Explanation and Analysis:
Day 3: Fifth Tale Quotes

Dearest beloved, since I am yours and you alone have the power to fortify my soul with some vestige of hope as I languish in the fiery flames of love, I beseech you, as your most humble servant, to show me some mercy and mitigate the harshness you have been wont to display towards me in the past. Your compassion will console me, enabling me to claim that it is to your beauty that I owe, not only my love, but also my very life, which will assuredly fail unless your proud spirit yields to my entreaties, and then indeed people will be able to say that you have killed me. Now, leaving aside the fact that my death would not enhance your reputation, I believe, also, that your conscience would occasionally trouble you and you would be sorry for having been the cause of it.

Related Characters: Zima (speaker), Francesco Vergellesi, Francesco’s Wife
Page Number: 224
Explanation and Analysis:
Day 3: Ninth Tale Quotes

“Sire,” said Bertrand, “you have the power to take away everything I possess, and hand me over to anyone you may choose, for I am merely your humble vassal. But I can assure you that I shall never rest content with such a match.”

“Of course you will,” said the King, “for she is beautiful, intelligent, and deeply in love with you. Hence we are confident that you will be much happier with her than you would ever have been with a lady of loftier birth.”

Related Characters: Bertrand (speaker), Gilette
Page Number: 267
Explanation and Analysis:
Day 4: First Tale Quotes

But leaving this aside, consider for a moment the principles of things, and you will see that we are all of one flesh and that our souls were created by a single Maker, who gave the same capacities and powers and faculties to each. We were all born equal, and still are, but merit first set us apart, and those who had more of it, and used it the most, acquired the names of nobles to distinguish themselves from the rest. Since then, this law has been obscured by a contrary practice, but nature and good manners ensure that its force still remains unimpaired; hence any man whose conduct is virtuous proclaims himself a noble, and those who call him by any other name are in error.

Related Characters: Ghismonda (speaker), Tancredi, Guiscardo
Page Number: 297
Explanation and Analysis:

Save those tears of yours for a less coveted fate than this of mine, Tancredi, and shed them not for me, for I do not want them. Who ever heard of anyone, other than yourself, who wept on achieving his wishes? But if you still retain some tiny spark of your former love for me, grant me one final gift, and since it displeased you that I should live quietly with Guiscardo in secret, see that my body is publicly laid to rest beside his in whatever spot you choose to cast his remains.

Related Characters: Ghismonda (speaker), Tancredi, Guiscardo
Page Number: 301
Explanation and Analysis:
Day 5: First Tale Quotes

On catching sight of this vision, Cimon stopped dead in his tracks, and […] began to stare at her, rapt in silent admiration, as though he had never before set eyes upon the female form. And deep within his uncouth breast, which despite a thousand promptings had remained closed to every vestige of refined sentiment, he sensed the awakening of a certain feeling which told his crude, uncultured mind that this girl was the loveliest object that any mortal being had ever seen […] Having suddenly been transformed from a country bumpkin into a connoisseur of beauty, he longed to be able to see her eyes, but they were closed in heavy slumber.

Related Characters: Panfilo (speaker), Cimon, Iphigenia
Page Number: 358
Explanation and Analysis:
Day 5: Seventh Tale Quotes

When certain galleys arrived from the Levant belonging to Genoese pirates, who had captured a great many children along the Armenian coast, he purchased a number of them, believing them to be Turkish. For the most part, they appeared to be of rustic, shepherd stock, but there was one, Teodoro by name, who seemed gently bred and better looking than any of the others […] as he grew older, being prompted by his innate good breeding rather than by the accident of his menial status, he acquired so much poise and so agreeable a manner that Messer Amerigo granted him his freedom […] had him baptized and re-named Pietro, and placed him in charge of his business affairs, taking him deeply into his confidence.

Related Characters: Lauretta (speaker), Amerigo Abate, Teodoro (Pietro)
Page Number: 412
Explanation and Analysis:
Day 5: Ninth Tale Quotes

You are to know, then, that Coppo di Borghese Domenichi, who once used to live in our city and possibly lives there still, one of the most highly respected men of our century, a person worthy of eternal fame, who achieved his position of pre-eminence by dint of his character and abilities rather than by his noble lineage, frequently took pleasure in his declining years in discussing incidents from the past with his neighbors and other folk. In this pastime he excelled all others, for he was far more coherent, possessed a superior memory, and spoke with greater eloquence.

Related Characters: Fiammetta (speaker), Boccaccio, Coppo di Borghese Domenichi
Page Number: 425-426
Explanation and Analysis:
Day 6: First Tale Quotes

Whereupon this worthy knight, whose swordplay was doubtless on par with his storytelling, began to recite his tale, which in itself was indeed excellent. But by constantly repeating the same phrases, and recapitulating sections of the plot, and every so often declaring that he had ‘made a mess of that bit,’ and regularly confusing the characters, he ruined it completely. Moreover, his mode of delivery was completely out of keeping with the characters and the incidents he was describing, so that it was painful for Madonna Oretta to listen to him. She began to perspire freely, and her heart missed several beats, as though she had fallen ill and was about to give up the ghost.

Related Characters: Filomena (speaker), Madonna Oretta
Page Number: 447
Explanation and Analysis:
Day 6: Second Tale Quotes

I would assuredly curse Nature and Fortune alike, if I did not know for a fact that Nature is very discerning and that Fortune has a thousand eyes, even though fools represent her as blind. Indeed, it is my conviction that Nature and Fortune, being very shrewd, follow the practice so common among mortals, who, uncertain of what the future will bring, make provision for emergencies by burying their most precious possessions in the least imposing […] parts of their houses, whence they bring them forth in the hour of their greatest need […] In the same way, the two fair arbiters of the world’s affairs frequently hide their greatest treasure beneath the shadow of the humblest trades, so that when the need arises for it to be brought forth, its splendor will be all the more apparent.

Related Characters: Pampinea (speaker), Cimon, Cisti
Related Symbols: Fortune
Page Number: 448
Explanation and Analysis:
Day 6: Fifth Tale Quotes

Hence, by virtue of the fact that he brought back to light an art which had been buried for centuries beneath the blunders of those who, in their paintings, aimed to bring visual delight to the ignorant rather than intellectual satisfaction to the wise, his work may justly be regarded as a shining monument to the glory of Florence. And all the more so, inasmuch as he set an example to others by wearing his celebrity with utmost modesty, and always refused to be called a master, even though such a title befitted him all the more resplendently in proportion to the eagerness with which it was sought and usurped by those who knew less than himself or by his own pupils. But for all the greatness of his art, neither physically nor facially was he any more handsome than Messer Forese.

Related Characters: Panfilo (speaker), Forese da Rabatta, Giotto
Page Number: 457-458
Explanation and Analysis:
Day 7: Eighth Tale Quotes

God in heaven, you think he had picked you up out of the gutter! […] These country yokels, they move into town after serving as cut-throat to some petty rustic tyrant, and wander about the streets in rags and tatters, their trousers all askew, with a quill sticking out from their backsides, and no sooner do they get a few pence in their pockets than they want the daughters of noble gentlemen and fine ladies for their wives. And they devise a coat of arms for themselves and go about saying: “I belong to such-and-such a family” and “My people did so-and-so.”

Related Characters: Sismonda’s Mother (speaker), Neifile, Arriguccio Berlinghieri, Monna Sismonda
Page Number: 531
Explanation and Analysis:
Day 8: Second Tale Quotes

Her name was Monna Belcolore, she was married to a farmworker called Bentivegna del Mazzo, and without a doubt she was a vigorous and seductive-looking wench, buxom and brown as a berry, who seemed better versed in the grinder’s art than any other girl in the village. When […] she had occasion to play the tambourine, and sing […] and dance a reel or a jig […] she could knock the spots off every single one of her neighbors. Master Priest was so enthralled by all these talents of hers that he was driven to distraction […] Whenever he caught sight of her in church on a Sunday morning, he would intone a Kyrie and a Sanctus, trying very hard to sound like a master cantor when in fact he was braying like an ass, whereas if she was nowhere to be seen he would hardly open his lips.

Related Characters: Panfilo (speaker), Worthy Priest, Belcolore, Bentivegna del Mazzo
Page Number: 555-556
Explanation and Analysis:

“How much is it worth?” said the priest. “Why, I’ll have you know that it’s made of pure Douai, not to say Trouai, and there are those in the parish who would claim that it’s Quadrouai. I bought it less than a fortnight ago from Lotto, the old-clothes merchant, for exactly seven pounds, and according to Buglietto d’Alberto, who as you know is an expert in such matters, it would have been cheap at half the price.”

“Is that so?” said Belcolore, “So help me God, I would never have believed it. But anyway, let’s have a look.”

Related Characters: Worthy Priest (speaker), Belcolore
Page Number: 558
Explanation and Analysis:
Day 8: Tenth Tale Quotes

In the seaports of all maritime countries, it used to be the practice, and possibly still is, that any merchant arriving there with merchandise, having discharged his cargo, takes it to a warehouse, which in many places is called the dogana and is maintained by the commune or by the ruler of the state. After presenting a written description of the cargo and its value to the officers in charge, he is given a storeroom where his merchandise is placed under lock and key. The officers then record all the details in their register under the merchant’s name, and whenever the merchant removes his goods from bond, either wholly or in part, they make him pay the appropriate dues. It is by consulting this register that brokers, more often than not, obtain their information about the amount and value of the goods stored at the dogana

Related Characters: Dioneo (speaker)
Page Number: 632-633
Explanation and Analysis:
Day 9: Fifth Tale Quotes

Hence, albeit we have referred many times to the doings of Calandrino, they are invariably so amusing, as Filostrato pointed out a little earlier, that I shall venture to add a further tale to those we have already heard about him. I could easily have told it in some other way, using fictitious names, had I wished to do; but since by departing from the truth of what actually happened, the storyteller greatly diminishes the pleasure of his listeners, I shall turn for support to my opening remarks, and tell it in its proper form.

Related Characters: Fiammetta (speaker), Filostrato, Calandrino
Page Number: 669
Explanation and Analysis:

He gave her a friendly greeting, which she acknowledged, then she began to stare at him, not because she found him the least bit attractive, but because she was fascinated by his odd appearance. Calandrino returned her gaze, and on seeing how beautiful she was, began to think of various excuses for not returning with the water to his companions. However, not knowing who she was, he was afraid to address her, and the girl, perceiving that he was still staring at her, mischievously rolled her eyes at him a couple of times, and fetched a few little sighs, so that Calandrino instantly fell in love with her and stood rooted to the spot till she was called inside by Filippo.

Related Characters: Fiammetta (speaker), Calandrino, Bachelor Filippo, Niccolosa
Page Number: 669-670
Explanation and Analysis:
Day 10: Third Tale Quotes

Fear me not, then, and rest assured that in view of the loftiness of your motives, no other living person loves you as greatly as I, for you do not devote your energies to the accumulation of riches, as misers do, but to spending what you have amassed. Nor should you feel ashamed for having wanted to kill me to acquire fame, or imagine that I marvel to hear it. In order to extend their dominions, and hence their fame, the mightiest emperors and greatest kings have practiced virtually no other art than that of killing, not just one person as you intended, but countless thousands, setting whole provinces ablaze and razing whole cities to the ground.

Related Characters: Nathan (speaker), Filostrato, Mithridanes
Page Number: 716
Explanation and Analysis:
Day 10: Seventh Tale Quotes

Love, ever since I fell in love
With him, you always granted me
More fear than courage; wherefore I
Could never show it openly
To him who takes away my breath,
And death is hard as I lie dying.
Perhaps he would not be displeased
If he were conscious of my sighing
And I could find the power to show
To him the measure of my woe.

Related Characters: Lisa, King Peter , Minuccio d’Arezzo
Page Number: 741
Explanation and Analysis: